Vlad Buzăianu

VAGABONS

In order to save his younger brother from the orphanage, Toma, a 16-year-old teenage boy, sets out on a trip across the country with no car or money, searching for his long-gone father and for himself.


SYNOPSIS

After several months of living on their own following their grandmother’s death, brothers, Toma, sixteen, and Dante, seven, are discovered by the authorities and sent to an orphanage. Refusing to accept this, they attempt to run away. At the last moment, Dante is caught, while Toma manages to escape. Faced with an impossible choice, Toma makes a painful decision. He leaves his younger brother behind, for now, in order to find the one person who might still be able to save them both. That person is Toma’s long-lost father, a dangerous and infamous man who disappeared many years ago. With no car and no money, Toma sets off on a journey across the country towards a place that feels like the edge of the world. Along the way, he encounters people from all walks of life, both kind and cruel. Each encounter leaves its mark, deepening his understanding of the world and of himself. When Toma finally finds his father, he is forced to confront violence and moral compromise. In order to receive help, Toma must submit to his father’s test. He passes it, but in doing so he crosses a line he cannot return from. Toma becomes like his father. Unlike him, Dante still has a chance. Realising this, Toma makes one final choice. He walks away, leaving his brother behind once more, this time for good.

DIRECTOR
Vlad Buzăianu

PRODUCERS
Ana Voicu, Anamaria Antoci

PRODUCTION COMPANY
Tangaj Production

COUNTRIES
Romania

Vlad Buzăianu

DIRECTOR’S BIOGRAPHY

Vlad Buzăianu is a self-taught Romanian filmmaker with a background in economics and psychology. His work focuses on themes like identity, family, and personal struggle, often told through visually grounded and emotionally honest stories. His first short film, Dreams on Sale(2016), was selected for festivals including the Kansas City Film Fest and the Film Festival Kitzbühel. His second short, Where No Shops Go (2023), premiered at the Trieste International Film Festival, where it received a Special Mention from the jury. He is currently developing two feature films: Vagabonds, a coming-of-age road movie about legacy and free will, and Doar Peştii Înoată În Larg (“Swim Out Far”), a psychological drama exploring the limits of personal freedom and emotional inheritance.

DIRECTOR’S STATEMENT

The purpose of this script is to evolve into a road movie, centred around the odyssey of its protagonist, Toma, who is pressed into a rite-of-passage journey that will lead to an unfortunate yet realistic outcome. On the surface, the story depicts a teenager’s struggle to save his brother, but essentially it is the struggle of a teenager to break free from the violent path paved by his father. The road movie is a sub-genre of adventure film so, along with the protagonist’s drama, it should also evoke in the viewer the need for adventure. The desire to live. The road movie is the film in which the protagonist both tries to escape from life and simultaneously embraces it.

Ana Voicu

PRODUCER’S BIOGRAPHY

With a background in communication and advertising, Ana Voicu began working in film production in 2016. In 2018 she graduated from the National University of Theatre and Film I.L. Caragiale Bucharest with an MA in film production. During her studies, she worked as a producer on various short films, many of which were selected for international film festivals: 16 Blows screened at the Sarajevo Film Festival and How to Fly a Kite? was presented at the Clermont-Ferrand International Short Film Festival. Since then, the Talents Sarajevo and Producers’ Lab alum has been involved with the production of several projects, ranging from commercials to documentary and fiction films, in various stages of development. In 2019, she joined Tangaj Production and in 2022 released her first feature-length film as a producer, Men of Deeds, directed by Paul Negoescu, which was both an international festival and domestic audience favourite. In 2025, Maria Popistasu and Alex Baciu’s debut feature Y premiered at the Warsaw International Film Festival and the short film Index by Radu Muntean had its premiere at the Locarno Film Festival. Voicu is currently working on several film projects, including Bogdan Theodor Olteanu’s fourth feature, A Long-Awaited Vacation and Vlad Buzaianu’s debut, Vagabonds. She is a member of the European Film Academy and the European Producer’s Club.

PRODUCER’S STATEMENT

Collaborating with Vlad Buzăianu is a natural extension of our ongoing commitment to supporting emerging filmmakers and exploring underrepresented genres in Romanian cinema. With Vagabonds, our main motivation is to strengthen the professional relationship built with Buzăianu during the making of his previous short film, Where No Ships Go. This new project represents not only a creative evolution but also a thematic continuation: while the short film focused on childhood, sibling bonds, and the loss of innocence, Vagabonds approaches similar themes from a different, more mature perspective. We see this film as a powerful coming-of-age drama wrapped in the visceral and emotionally resonant structure of a road movie. It tells the story of Toma, a teenager forced into a journey that’s as much internal as it is external. In a quest to save his younger brother, he must confront the violent legacy of their father. Buzăianu approaches this genre with fresh vision, anchoring the narrative in both visual storytelling and philosophical depth. His personal connection to the theme, grappling with questions of fatherhood, generational legacy, and the boundaries of free will, makes Vagabonds a deeply human film. We believe the impact of this project is twofold: to deliver a high-quality, emotionally engaging film that resonates with a young and diverse audience, and to contribute meaningfully to the thematic diversification of the Romanian cinematic landscape.

Anamaria Antoci

PRODUCER’S BIOGRAPHY

Anamaria Antoci is an active and accomplished producer in the European market, and a member of prominent industry networks such as EAVE, ACE Producers, the European Producers Club, and Inside Pictures. She founded the Bucharest-based company Tangaj Production in 2017, and is fully committed to all creative stages. She has a passion for strong, authentic art-house films and is keen to find unique ways to engage audiences. Her achievements include producing and co-producing fiction and documentary films such as Paul Negoescu’s Men of Deeds (2022, RomaniaBulgaria), which was selected for the Sarajevo Film Festival; George Sikharulidze’s Panopticon (2024, Georgia/France/Italy/Romania), which screened at the Karlovy Vary International Film Festival; Danis Tanović’s My Late Summer (2024, Croatia/Bosnia and Herzegovina/Romania/Serbia/Slovenia); and Andrei Ujică’s Things We Said Today (2024, France/Romania), which played in the Venice Film Festival.

Production company profile

Tangaj Production is an all-female production company founded in 2017. Tangaj takes pride in being the home to new voices in Romanian cinema and established directors who want to move into new formats or venture into new approaches. The company works with established Romanian directors such as Radu Muntean, Paul Negoescu, Ilinca Călugăreanu, and Bogdan Theodor Olteanu, as well as first- and second-time directors like Andrei Tănase, Sarra Tsorakidis, and Vlad Buzăianu. Among the international co-productions in the company’s portfolio are Mladen Djordjević’s sophomore film Working Class Goes to Hell (2023, Serbia / Bulgaria / Greece / Montenegro / Croatia / Romania), Danis Tanović’s My Late Summer (2024, Croatia / Bosnia and Herzegovina / Romania / Serbia / Slovenia) and the debut features Panopticon by George Sikharulidze (2024, Georgia / France / Italy / Romania) and MY UNCLE JENS by Brwa Vahabpour (2025, Norway / Romania). Films produced by Tangaj have travelled the world to the Venice Film Festival, the Locarno Film Festival, the Toronto International Film Festival, the Karlovy Vary International Film Festival, the International Documentary Film Festival Amsterdam, South by Southwest, the New York Film Festival, the São Paulo International Film Festival, the Beijing International Film Festival, the Jeonju International Film Festival, and the Melbourne International Film Festival, among others.

Where are we at?

TOTAL ESTIMATED BUDGET
900.000 €

FINANCES PENDING
520.000 €

FINANCING IN PLACE
380.000 €

Production timeline

September 2025 - March 2027
Project development, financing

April 2027 - August 2027
Pre-production

September 2027 - October 2027
Shooting

November 2027 - February 2028
Editing

February - March 2028
Sound and image post-production

May 2028
Estimated delivery date



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