Međimurje is a small and historically complex border region in Croatia, and this film is a way for me to face the prejudice I inherited and to examine the social mechanisms of its reproduction. I grew up with our Croatian protagonists, my grandma Ana and her two friends, also Anas. We follow them, three young Roma men negotiating visibility and status, and three Asian workers whose instinct is to source economic survival without engaging in local tensions. The grandmas empathise with the Nepalese, as their won husbands worked abroad, yet this empathy deepens their hate toward the Roma, who themselves now reproduce similar patterns of discrimination they experienced toward the Nepalese. Through a mix of observation of local traditions and interviews, No Offence is a collage of perspectives across generations, ethnicities, and social positions. As a director and interviewer, my questions and personal connections actively shape the film’s encounters and narrative. Through a meta-film process, I ask participants what they want the film about the region to be, letting them guide us. Ultimately, they call for unity so we take it in our hands to connect them. In an overall light tone, the humour and warmth of the protagonists demystifies the role of good people in spreading prejudice, while researching how deeply they run and how they make us fear change.