When Sára Prokopová first approached me with the idea for her debut film Retuning, I immediately felt the urgency of the story. Public service television is undergoing a profound transformation, and what is happening inside it reflects wider shifts in our society: the fragility of independent media, censorship, and political pressure. I believe this is one of the defining topics of our time, not only in Slovakia but across Europe. Retuning is currently in post-production. To complete the film, we need to cover the remaining costs of post-production and the clearance of archive materials, which represent a significant part of the budget. Due to the film’s subject matter, we cannot apply for further support from public institutions such as the national film fund or Slovak Television — finding international partners is therefore crucial for us. At CineLink, we are primarily looking for co-production and financing partners, broadcasters, and sales agents. Our ambition is to present the film to international audiences and find partners who can pair it with a wider discussion of the topic in their local context. Although Retuning tells the story of Slovak public television, similar struggles over the independence and future of public media are unfolding in many countries around the world — which is why the film can resonate far beyond its local origins.