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    <loc>https://www.cinelinkindustrydays.com/cinelink-talks</loc>
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    <lastmod>2020-09-04</lastmod>
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      <image:title>CineLink Talks</image:title>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/breaking-the-silence-the-power-of-documentaries-to-bring-a-permanent-change-in-society</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-08-17</lastmod>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/honeyland-case-study-presented-by-atanas-georgiev</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596828435988-RHNJ302I3ZVH30BEE0WI/1596821337323_5J0A7278.jpg</image:loc>
      <image:title>CineLink Talks - HONEYLAND&lt;/em&gt; Case Study –&amp;nbsp;presented by Atanas Georgiev&lt;/strong&gt; - Atanas Georgiev, producer, director, editor and one of the owners of Trice Films and Film Trick from Macedonia, subsidiaries of FX3X. His directorial and producing debut CASH &amp; MARRY has won many international awards and recognition. This was followed by AVEC L’AMOUR which was a festival favorite in 2017 premiering at HOTDOCS, and right after that with HONEYLAND in 2019, a triple winner at Sundace Film Festival and Nominated for 2 Academy Awards, Best Documentary and Best International Feature.</image:title>
      <image:caption>IMDb</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/ace-interview-with-bobby-allen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596829312938-8DHU62UTQGS443SE3NZS/bobby.jpg</image:loc>
      <image:title>CineLink Talks - &lt;strong&gt;ACE Interview with Bobby Allen&lt;/strong&gt; - Bobby Allen, senior vice president of content at MUBI, one of the fastest growing independent VOD platforms in the world, where he is responsible for all programming, content and editorial. He is also leading MUBI’s move into theatrical distribution and co-production. Before joining MUBI he was an independent film producer and the VP of sales and acquisition at Celluloid Dreams. Before that he was head of production at MTV Films Europe, head of acquisitions at Film Four and he has held senior executive positions in international film sales and acquisitions at companies such as PolyGram Film International, Lionsgate, and Mayfair Entertainment.</image:title>
      <image:caption>IMDb</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/the-response-of-public-film-bodies-to-pandemics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/political-correctness-freedom-of-artistic-expression-and-self-censorship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-04</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/netflixs-unorthodox-a-case-study</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596827816937-DVOX1YT1ELPKCKPQFUA8/HKamm_s.jpg</image:loc>
      <image:title>CineLink Talks - &lt;strong&gt;Netflix’s &lt;em&gt;Unorthodox&lt;/em&gt;:        A Case Study&lt;/strong&gt; - Henning Kamm is an Emmy-nominated producer who co-founded DETAiLFILM in 2007 with a focus on international feature films that premiered at all major festivals, winning numerous awards. In 2014 DETAiLFILM started the joint venture Zentropa Hamburg with Danish art-house power house Zentropa. In December 2016 Henning joined REAL FILM Berlin as managing director. He now works across the board, producing drama in all formats, genres and media. His most recent production is Anna Winger's 8 times Emmy-nominated show UNORTHODOX for Netflix, directed by Maria Schrader. Henning was Germany’s „Producer on the Move“ 2014 and one of Variety's "10 Producer's to watch" in 2017. He is an EAVE and Inside Pictures alumni and has been serving on the board of the European Film Academy since 2016.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/supply-chain-interrupted-a-regional-perspective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-17</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/gender-in-post-yugoslav-cinema</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-04</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/imagining-a-radically-new-way-to-curate-and-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-04</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/anti-racism-and-white-supremacy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-04</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/in-conversation-with-veena-sud</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596833510210-95NHN57331CZEVCN8S9J/VeenaSud_17.jpg</image:loc>
      <image:title>CineLink Talks - &lt;strong&gt;In Conversation with Veena Sud&lt;/strong&gt; - Veena Sud created THE KILLING (AMC/Netflix) which was nominated for six Emmys, including for Sud’s writing, as well a WGA nomination for Best New Series. Her recent Emmy Award winning TV series, SEVEN SECONDS (Netflix), is an ensemble drama centered on the hit and run of a young Black teenager by a white police officer. Sud’s feature film THE LIE (Blumhouse), which she wrote and directed, premiered as a Gala at the Toronto International Film Festival and will premiere on Amazon this fall. Her most recent film/series hybrid, THE STRANGER debuted on Jeffrey Katzenberg’s ground breaking Quibi mobile platform in April 2020. Sud was featured in The Hollywood Reporter’s 2011 Power Showrunners List and Variety’s Women’s Impact Report. She worked as a print and broadcast journalist in New York City, in film distribution at Third World Newsreel, and is an alumnus of New York University’s Graduate Film and Television program. She is represented by William Morris Endeavor and Anonymous Content and her attorney is Bruce Gellman at Hansen, Jacobson, Teller, Hoberman and Newman.</image:title>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/can-platforms-and-tv-work-together</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-18</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/cinelink-talks/radical-new-strategies-for-distribution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-17</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-06</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/staying-sane-mental-health-in-the-film-industry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013382300-QHGFAZ0UNZMC2NELOD0E/21_Rebecca-Day-Headshot_1200.jpg</image:loc>
      <image:title>CineLink Talks - Staying sane: Mental health in the film industry - Rebecca Day</image:title>
      <image:caption>Rebecca Day is a psychotherapist and freelance documentary producer. She founded Film in Mind in 2018 to address mental health in the film industry. She offers therapy, clinical supervision, consultancies and workshops to filmmakers who are working in difficult situations and/or with vulnerable people. She has spoken on the issue at festivals and delivered training and support to organisations such as the Berlin International Film Festival, the International Documentary Film Festival Amsterdam, the Getting Real Documentary Conference, Sheffield DocFest, WIFTV and the London Screenwriters Festival. Previously, Day worked extensively with the Scottish Documentary Institute as a producer and on their impact work. Her most recent feature, Emma Davie and Peter Mettler’s Swiss-Scottish co-production Becoming Animal was released in 2018, and day is currently in production on a new feature-length documentary about men’s mental health with award-winning filmmaker Duncan Cowles. https://www.scottishdocinstitute.com/staff/rebecca-day/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013432378-2SOY3LQSGXHTTW9HJ1DY/21_Malikkah_Rollins_Headshot_1200.jpg</image:loc>
      <image:title>CineLink Talks - Staying sane: Mental health in the film industry - Malikkah Rollins</image:title>
      <image:caption>Malikkah Rollins is the Director of Industry and Education at DOC NYC, the largest documentary film festival in the United States. As a mental health professional for the last decade, she recently co-founded Documentality, an initiative designed to elevate the conversation around mental health in the documentary community. Additonally, Rollins was a mental health consultant on the American Documentary’s project for women and LGBTQ+ first-time directors. She is a Sundance Collab Community Leader, a D Word Ambassador, and sits on the board of Women in Film and Video in Washington, DC. Rollins was a 2019 Docs in Progress Fellow and has held a variety of producer roles on several feature and short documentaries.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013473142-V1Q4HI7YACZ143DQC96N/21_Viktoria-Thomas-Headshot.jpg</image:loc>
      <image:title>CineLink Talks - Staying sane: Mental health in the film industry - Victoria Thomas</image:title>
      <image:caption>Victoria Thomas began her film career as a producer on numerous international European-Sub-Saharan Africa co-productions. She is now developing work as a writer-director. Her recent projects include the BFI Network/Screen Scotland-funded A Birthday Party. Thomas is currently a producer/director on a television series for Westbrook/Nutopia, and in parallel is developing her scripted feature Street Food, a participant of the The Writers Lab, supported by Meryl Streep and Nicole Kidman, in 2020. She is currently a co-course director for the MA in International Film Business at the London Film School. IMDb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628356994642-84UBPMBF6LDZ594W520P/Pamela.png</image:loc>
      <image:title>CineLink Talks - Staying sane: Mental health in the film industry - Pamela Drameh</image:title>
      <image:caption>Pamela has over ten years of experience working in post-production for both studio and independent media companies such as Disney, Turner and Wild Bunch across a wide variety of titles including The Wrestler, Avengers and Hustlers. She has recently moved into film production as a producer. Her short film credits include Midnight of Life starring Martin Freeman, which premiered at the London Film Festival 2015. She is currently developing a bespoke slate of feature films and is the International Technical Manager for STX International. Pamela is also a co-chair of Times Up UK Women of Colour.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/what-women-want-quotas-and-reality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628012765039-TNUBR5TRWJVNGHUQBE1G/Aida_colorphoto.jpg</image:loc>
      <image:title>CineLink Talks - What women want: quotas and reality - Aida Begić</image:title>
      <image:caption>Aida Begić was born in Sarajevo. Her debut feature Snow had its premiere at the Festival de Cannes in the Semaine de la Critique, where it won the Grand Prix. Her Children of Sarajevo premiered at Cannes in the Un Certain Regard section. Her short Album was part of the omnibus film Bridges of Sarajevo, which also had its world premiere at Cannes as a Special Screening. Begić is a professor at the Academy of Performing Arts Sarajevo. Her feature film Never Leave Me won numerous awards at festivals worldwide. A member of AMPAS, EFA, UFRBiH and SACD, Begić is currently in post-production with her new film A Ballad. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628012829982-GKTDUUUPOGMAEU8L71RY/Antoneta-web.png</image:loc>
      <image:title>CineLink Talks - What women want: quotas and reality - Antoneta Alamat Kusijanović</image:title>
      <image:caption>Antoneta Alamat Kusijanović is a writer and director born in Dubrovnik and based in New York City. Her short Into the Blue was nominated for a Student Academy Award, and won awards at the Berlin International Film Fesival, the Sarajevo Film Festival, the International Short Film Festival Oberhausen and the Festival de Premier Plans d’Angers, among many others. Kusijanović’s first feature-length film MURINA was developed with support from the Cinéfondation Résidence du Festival de Cannes, the Goethe-Institut's First Films First and the Jerusalem Film Lab, and was produced by Martin Scorsese’s Sikelia Productions, RT Features and Antitalent. Kusijanović holds an MA from the Academy of Dramatic Arts in Zagreb and an MFA in screenwriting and directing from Columbia University. She is an alumna of the Berlinale Talent Lab, Talents Sarajevo, the La Fémis Producing Atelier and the Marcie Bloom Fellowship, and is member of the Academy. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628107993116-PFUXNWW28KU099UN65RN/Bianca+Oana_%28c%29AlexGalmeanu.jpg</image:loc>
      <image:title>CineLink Talks - What women want: quotas and reality - Bianca Oana</image:title>
      <image:caption>Bianca Oana is a producer and writer based in Bucharest and Berlin. Since 2009, she has been working in developing, producing and promoting multi-award-winning art-house films, including Toto and His Sisters, which had its world premiere in 2014 at the San Sebastián International Film Festival and won the Grand Prix at the Angers European First Film Festival, and the Golden Eye at the Zurich Flm Festival; Touch Me Not, which won the Golden Bear and was named Best Debut Feature at the Berlin International Film Festival in 2018 and Collective, which was an Official Selection of the Venice International Film Festival, won the European Film Award for Best Documentary and was shortlisted for the Best International Feature and Best Documentary prizes at the 93rd Academy Awards. Oana is currently producing Adina Pintilie’s second feature, Death and the Maiden.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110814450-YVFLFW8VUGJBPFJC6FWL/Agustina+Chiarino.png</image:loc>
      <image:title>CineLink Talks - What women want: quotas and reality - Agustina Chiarino</image:title>
      <image:caption>Renowned Uruguayan producer with more than 15 Latin-American feature films released in the most prestigious film festivals worldwide, that have obtained more than 100 international prizes and have been released in over 30 territories such as: Gigante, 3, So much water, El 5, The waves, The heiresses, My friend from the park, History of fear, Monos and Bosco. She is tutor at Biennale College, Br Lab and PUENTES (also co-organizes it with EAVE). She is part of the selection comittee at San Sebastián’s Co-production Forum and has been project advisor Sundance FI, Doha FI, TorinoFilm lab, Ventana Sur.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254019662-HZG6WF3CWQFLYHC6LSIV/amra+bw+1.jpeg</image:loc>
      <image:title>CineLink Talks - What women want: quotas and reality - Amra Bakšić Čamo</image:title>
      <image:caption>Amra Bakšić Čamo is one of the founders of SCCA/pro.ba, an independent production company based in Sarajevo. She has produced and co-produced award-winning shorts, documentaries, television programmes and feature films. Since 2003, she has been Head of CineLink at the Sarajevo Film Festival and since 2019 one of the curators at the TorinoFilmLab. Bakšić Čamo is a member of the European Film Academy as well as ACE and EAVE producer networks, and is a long-time collaborator of the Berlinale Co-Production Market and the Biennale College. She teaches producing at the Academy of Preforming Arts in Sarajevo. IMDb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/expanding-coproduction-drama-landscape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254518948-KNKXNI2OGTL1VU0JYAL6/Nebojsa+Taraba+copy.jpg</image:loc>
      <image:title>CineLink Talks - Expanding Co-Production Drama Landscape - Nebojša Taraba</image:title>
      <image:caption>Nebojša Taraba, producer &amp; partner, production company Drugi plan, Zagreb, Croatia. Drugi plan is a leading Croatian independent production company. Established in 2004 by Nebojša Taraba and Miodrag Sila, Drugi plan has worked with all three Croatian national TV stations (HRT, Nova TV, RTL) and created and produced more than 15 original formats in all genres. For the last 8 years, Drugi plan has specialized in documentary and high-end drama productions. Their TV series The Paper was picked up by Netflix, and now is available for streaming in 190 countries. The company also produce a documentary film and series Love Around The World (co-pro with Authentic for Arte), drama series Silence (for HRT and Oll.tv Ukraine, co-pro with Beta Film, Germany and Star Media, Russia). Drugi plan has also produced the first HBO Europe series in the Adria region, premiered at the beginning of 2019, entitled Success. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254643110-DL4QGPFE1FWS3RW4ZCEG/Hordur+Runarsson+-+Glassriver.jpeg</image:loc>
      <image:title>CineLink Talks - Expanding Co-Production Drama Landscape - Hordur Runarsson</image:title>
      <image:caption>Hordur Runarsson producer and co-owner of Glassriver has long-standing experience in the industry as a producer, specialising in international co-productions, sales and financing. Spearheading and driving the international finance- sales- and marketing advance of the company, he has also participated in the development of several projects and served as a producer or executive producer on all Glassriver’s productions e.g. BLACK SANDS, JOURNEY, FRACTURES, ORDINARY PEOPLE (SEASON 1-4), MY FUNERAL AND MANNERS. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254712178-3JTQHPZUR9MXXJQJJ079/Cia+Edstrom.jpeg</image:loc>
      <image:title>CineLink Talks - Expanding Co-Production Drama Landscape - Cia Edström</image:title>
      <image:caption>Head of Industry at Göteborg Film Festival, with a background from working as a producer and editor for film events, seminars and nonfiction at the Culture Capital of Stockholm, Swedish Film Institute among others. 2005 to date, Head of Industry and content at Nordic Film Market, TV Drama Vision and member of the selection committee at Göteborg Film Festival.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/are-critics-still-needed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254430637-J0QAGF4EEMLAMUW996YD/21_Uzma-Hazan-Headshot-NEW.jpg</image:loc>
      <image:title>CineLink Talks - Are Critics Still Needed? - Uzma Hasan</image:title>
      <image:caption>Uzma Hasan is a film and TV producer and the driving force behind Little House Productions which focuses on bringing subversive stories to global audiences. She is currently producing an adaptation of Akram Khan’s CREATURE for the English National Ballet directed by Academy Award winner Asif Kapadia (AMY). Her slate includes an original musical with Ritesh Batra (THE LUNCHBOX) and Amazon Studios, a period sports drama with novelist Nikesh Shukla (THE GOOD IMMIGRANT) and the BFI, and a contemporary reworking of Macbeth set between London and Karachi with playwright Rabiah Hussain (SPUN). She is next shooting Gautam Malkani’s cult novel LONDONSTANI for the BFI in Spring 2022. Previous credits include Nirpal Bhogal’s FIRSTBORN, which premiered at the Edinburgh International Film Festival 2016 ahead of a worldwide sale to Netflix, and THE INFIDEL which spawned a musical and Bollywood remake DHARAM SANKAT MEIN. In addition to Little House Productions, Uzma is a non executive director on the board of public broadcaster Channel 4, Chair of the Bush Theatre and a trustee of Bird’s Eye View, a non profit that campaigns for gender equality in film. She sits on selection committees and juries for the British Independent Film Awards, Film London and BAFTA. Uzma worked across four continents, for independents and studios, with companies including Focus Features, Doha Film Institute, and Tribeca Film Festival on the development, production and exploitation of feature films. She graduated from University of Wales, Cardiff with first class honours in English Literature and went on to read Film and Literature at Harvard University’s Graduate School of Arts and Sciences where she was a Kennedy Scholar. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628111573992-UXD1QU3KLYDA0K1BAF8U/Dina+Jordanova.jpg</image:loc>
      <image:title>CineLink Talks - Are Critics Still Needed? - Dina Iordanova</image:title>
      <image:caption>Based in Scotland, Dina Iordanova is a film historian and writer whose work on matters of film festivals, global film culture and transnational film industries has been widely published. She is also known for her expertise in Balkan and Eastern European cinema. Her writing is available at dinaview.org</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013723075-P79MLJM7JPN18S17OIHH/21-Heleen-Gerritsen-Picture_1200.jpg</image:loc>
      <image:title>CineLink Talks - Are Critics Still Needed? - Heleen Gerritsen</image:title>
      <image:caption>Heleen Gerritsen was born in the Netherlands in 1978 and studied Slavonic languages and economics in Amsterdam and St. Petersburg. In 2003, she moved to Germany, where she completed a course in film production and started freelancing as a producer, mostly with a regional focus on Eastern Europe and the Commonwealth of Independent States. From 2014 to 2016, she was Festival Director At the European Documentary Film Festival dokumentART in Neubrandenburg. Since 2017, Gerritsen has been at the helm of goEast – Festival of Central and Eastern European Film, which is organised by the German Film Institute in Wiesbaden.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013777797-Z563AMPHFSP4WNWKLHNR/21_Pedro-Tinen-Headshot.jpg</image:loc>
      <image:title>CineLink Talks - Are Critics Still Needed? - Pedro Tinen</image:title>
      <image:caption>Pedro Tinen is a Japanese-Brazilian film programmer, curator, critic and researcher, a German Chancellor Fellow at the Alexander von Humboldt Foundation and a member of the Programmers of Colour Collective (POC2) and of the selection committees of the MixBrasil LGBT Film Festival and the Ecofalante Environmental Film Festival. Formerly, he was the Brazilian Programming Coordinator at the São Paulo Short Film Festival (2019–2020). He is an alumnus of the Locarno Industry Academy International programme and of the MRG//WORK residency of the Doclisboa and Márgenes festivals. He holds a Master’s degree in media studies from the University of Campinas in Brazil. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013819468-5S4880C0RLHSRB3PYMDU/21_Aashna+Thakkar_Headshot_1200.jpg</image:loc>
      <image:title>CineLink Talks - Are Critics Still Needed? - Aashna Thakkar</image:title>
      <image:caption>Aashna Thakkar (she/her) is an Indo-Canadian interdisciplinary artist, film festival programmer and writer based in Toronto. She is currently Manager of Programming at the Regent Park Film Festival and previously held positions at the Breakthroughs Film Festival and the Hot Docs Canadian International Documentary Festival. Through her work, she aims to amplify stories of BIPOC and other marginalised identities, while continuously exploring the intersections of South Asian identity, gender and body politics.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013314126-NMTDAEZBQZG3WPTA9W3N/21_Paula+Vaccaro-Headshot.jpeg</image:loc>
      <image:title>CineLink Talks - Are Critics Still Needed? - Paula Alvarez Vaccaro</image:title>
      <image:caption>An award-winning producer and scriptwriter, Paula Alvarez Vaccaro began her career as a journalist in Argentina and has over twenty-five years’ experience working in film, television, radio and print media on three continents. Pinball London, the company she founded in London in 2009, has worked with directors from more than fifteen countries and has won more than thirty awards at A-list festivals worldwide. She is a member of BAFTA, the Writers Guild of Great Britain, the European Film Academy and the European Women’s Audiovisual Network. She is currently on her third mandate as Vice-President of the European Producers Club and is one of the founders of the Anti-Racism Taskforce for European Film. IMDb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/in-conversation-with-alex-nanau</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628111294822-YSI5JAW97Q9P9I5E767P/Collective_Alexander_Nanau_1200.jpg</image:loc>
      <image:title>CineLink Talks - In conversation with Alexander Nanau - Alex Nanau</image:title>
      <image:caption>Academy Award-nominated German-Romanian filmmaker Alexander Nanau was born in 1979. His documentary The World According to Ion B. had ist premiere in 2009 at Visions du Réel in Nyon and won an International Emmy Award in 2010. His feature-length documentary Toto and His Sisters (2014) premiered at the San Sebastián International Film Festival and was a European Academy Award nominee in 2015. Nanau served as director of photography for Sonia Kronlund‘s French/German documentary Nothingwood, which was shot in Afghanistan and premiered at the Festival de Cannes in the Directors‘ Fortnigh in 2017.   His latest feature-length documentary Colletive (2019) premiered at the Venice International Film Festival as part of the Official Selection – Out of Competition. It was also screened at the 2019 Toronto International Film Festival and in the Spotlight section of the 2020 Sundance Film Festival. Collective was named on numerous top ten lists worldwide in 2020 and became the first Romanian film ever nominated for an Academy Award. Among many other awards, it won the European Film Award for Best Documentary in 2020, and was also nominated for a BAFTA in 2021. It became the second documentary in the history of the Oscars to receive two nominations when it was Romania’s official entry in the Best International Feature category alongside its Best Documentary nomination.    The film also won the LUX Prize of the European Parliament in 2021, an award voted on by European citizens and Members of the European Parliaments. He is a teacher and mentor at several international film universities and labs. IMDb</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110653227-G1LJXOC0E9GUK0PZIBJI/Martichka-Bozhilova.jpg</image:loc>
      <image:title>CineLink Talks - In conversation with Alexander Nanau - Martichka Bozhilova</image:title>
      <image:caption>Martichka Bozhilova is producer at AgitProp in Bulgaria. Her high-end, author-driven films have been selected for and won awards at the Festival de Cannes, the Berlin International Film Festival, the International Documentary Film Festival Amsterdam, the Toronto International Film Fesival, the Sundance Festival, the Tribeca Film Festival and the Pusan International Film Festival, among many others, and have been broadcast all over the world. Among her productions are Touch Me Not, which won the Golden Bear at Berlin in 2018); the film and four-part television docu-series Palace for the People for ARTE, which was selected for DokLeipzig in 2018; Georgi and the Butterflies , which received the Silver Wolf at IDFA; The Mosquito Problem and Other Stories, which was presented at Cannes; Corridor #8, which screened at the Berlinale; Omelette, which was selected for Sundance; and The Boy Who Was a King, which screened at Toronto. Bozhilova has also produced successful factual television series for National Geographic and HBO, as well as Father’s Day, a high-end drama series for Bulgarian National Television and The Cars We Drove into Capitalism, which is scheduled for release in 2021. IMDb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/can-coproductions-be-green</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110934297-CGOYP62AECXI79HEIW1P/sehad+cekic+3_1200.jpg</image:loc>
      <image:title>CineLink Talks - Can co-productions be green? Strategy and challenges - Sehad Čekić</image:title>
      <image:caption>Sehad Čekić was born in Podgorica in 1979. As a producer, his feature film credits include Marija Perovic’s Look at Me (2008), Nemanja Becanovic’s The Ascent (2011) and Pavle Simonović’s Lowdown (2016). He is a co-author of the “Laws on Cinematography of Montenegro” (2015). Čekić is an sssistant professor at the Faculty of Dramatic Arts at the University of Montenegro in Cetinje, where he was Dean from 2014 to 2017. He has been a member of the European Film Academy since 2013, is the national representative of Montenegro for the Board of Management of Eurimages and the first Managing Director of the Film Centre of Montenegro, which was established in 2017. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254019662-HZG6WF3CWQFLYHC6LSIV/amra+bw+1.jpeg</image:loc>
      <image:title>CineLink Talks - Can co-productions be green? Strategy and challenges - Amra Bakšić Čamo</image:title>
      <image:caption>Amra Bakšić Čamo is one of the founders of SCCA/pro.ba, an independent production company based in Sarajevo. She has produced and co-produced award-winning shorts, documentaries, television programmes and feature films. Since 2003, she has been Head of CineLink at the Sarajevo Film Festival and since 2019 one of the curators at the TorinoFilmLab. Bakšić Čamo is a member of the European Film Academy as well as ACE and EAVE producer networks, and is a long-time collaborator of the Berlinale Co-Production Market and the Biennale College. She teaches producing at the Academy of Preforming Arts in Sarajevo. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254149771-D56OJDUP93BU4XZ502HM/zuzana_bielikova_photo.jpeg</image:loc>
      <image:title>CineLink Talks - Can co-productions be green? Strategy and challenges - Zuzana Bieliková</image:title>
      <image:caption>On June 1st 2018, Zuzana Bieliková was appointed the manager of Slovak Film Commission. She is a Prague´s FAMU production graduate having worked on various professional positions in film production for almost 15 years. She has also actively devoted herself to foreign film marketing, where she has gained worthy knowledge of the current situation on the film and television market in an international context. She has experience with managing projects for important film and television events (Marché du film in Cannes, European Film Market in Berlin, Discop and other) as well as a large database of contacts of film professionals.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628257800931-0NU6NFGWHJ5YXGUUO97W/MicrosoftTeams-image.png</image:loc>
      <image:title>CineLink Talks - Can co-productions be green? Strategy and challenges - Alberto Battocchi</image:title>
      <image:caption>After receiving a PhD in Human-Computer Interaction, Alberto Battocchi pursued his passion for cinema, working as assistant director in film and TV productions and as location scout in the Trentino region, Italy. In 2016, Alberto joined Trentino Film Fund and Commission (TFC), where he currently works providing assistance to film and TV productions that are shooting in Trentino. Since 2019 he is also involved in GREEN FILM, the initiative launched by TFC for fostering environmental sustainability in audiovisual productions.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628790127862-0PUJQBD16V8NLIRPKGT4/Christiane+Dopp.png</image:loc>
      <image:title>CineLink Talks - Can co-productions be green? Strategy and challenges - Christiane Dopp</image:title>
      <image:caption>Christiane Dopp, motivated and sucessful film production manager experienced with independent and studio-funded film projects. Since 2001 Film Commission Hamburg SH /Germany related to Film Fund Hamburg Schleswig – Holstein. In the last 20 years taking care of the best location called Hamburg, including permits,networking and marketing for the city. Since almost 10 years keen of the green issue, Founder of the Green Shooting Card to motivate the film industry for being aware of the enviroment. In 2020 we started the next level, The Green Filming Badge has been working as a sustainability check on the entire value chain of a film—from screenplay to distribution. There is no time left, start now : reduce, reuse, recycle. These are the guide words for the future.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628111029667-X7E9POL0BWIMI6RP09UL/Tamara+T_1200.jpg</image:loc>
      <image:title>CineLink Talks - Can co-productions be green? Strategy and challenges - Tamara Tatishvili</image:title>
      <image:caption>Tamara Tatishvili works in film funding, promotion and cooperation strategies across Europe and around the world. From 2010 through 2013, she acted as Director of the Georgian National Film Centre, where she led reforms of the institution and initiated the emergence of a new wave of talented filmmakers. She was the Georgian representative to Eurimages and European Film Promotion from 2011 to 2019. Earlier in her career, Tatishvili co-founded and managed the Independent Filmmakers’ Association of the South Caucasus. Currently, she is Head of MEDICI Training, organised by FOCAL. Among other initiatives, she is an advisor for the European Women’s Audiovisual Network and a mentor at the School of Film Advancement. IMDb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/a-new-take-new-models-and-possibilities-for-distribution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110871655-SYJPX9Y0OMAT132IBHMN/21_Amy-Hobby-Headshot.jpg</image:loc>
      <image:title>CineLink Talks - A new take: New models and possibilities for distribution - Amy Hobby</image:title>
      <image:caption>Amy Hobby is Executive Director at the Tribeca Film Institute as well as an Emmy Award-winning, Academy-Award nominated producer whose films include Steven Soderbergh’s And Everything Is Going Fine, Shepard &amp; Dark, which was an Official Selection of the Festival de Cannes, Secretary, starring James Spader and Maggie Gyllenhaal and Love, Marilyn for HBO, directed by Liz Garbus with whom Hobby collaborated again on What Happened, Miss Simone? for Netflix. At her production company, Tangerine, films include the Tribeca Film Festival award winner Keep the Change, Paint It Black by Amber Tamblyn and the documentary The Last Laugh by Ferne Pearlstein. In her various capacities, Hobby has been on numerous film festival juries and panels over the past ten years. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013145157-VPNJS9IWZTB15IRE0T6B/21_Andy-Caley-Headshot_1200.jpg</image:loc>
      <image:title>CineLink Talks - A new take: New models and possibilities for distribution - Andy Caley</image:title>
      <image:caption>Andy Caley is Head of Acquisitions at Bohemia Media, a distribution and production company that champions diversity and supports individual voices. He acquires and manages films and television series, from script stage to completion, that are by and/or about communities that have been underserved and under-represented by mainstream media, such as those who identify as LGBTQ+, disabled, BIPOC, neuro-diverse etc. Prior to this, Caley worked at the production and finance company Head Gear Films for four years, as well as for production companies including Heyday Films, Pathé Productions and StudioCanal. IMDb</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013192327-IIALU2V6GK1YM33J9QNC/21_Ester_Bernal_Headshot_1200.jpg</image:loc>
      <image:title>CineLink Talks - A new take: New models and possibilities for distribution - Ester Bernal</image:title>
      <image:caption>Ester Bernal is a film-industy professional with experience in distribution and international sales. Focused on distribution since 2011, she has collaborated with Mexican film festivals in the area of programming. She collaborated for five years with the Alfhaville Cinema, an independent distribution company focused on art-house cinema. From 2018 to 2019, Bernal worked for the Mexican Institute of Cinematography to coordinate Eficine 189 – Distribution, a fiscal stimulus that is granted to Mexican films for their theatrical distribution. In 2019 and 2020, Bernal was Programming Coordinator for the Black Canvas Contemporary Film Festival. Currenty, she is is Head of Distribution at Piano. IMDb</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013262204-OKB285DBEONPGZMNZUTC/21_Ryan-Harrington-Headshot_1200.jpg</image:loc>
      <image:title>CineLink Talks - A new take: New models and possibilities for distribution - Ryan Harrington</image:title>
      <image:caption>Ryan Harrington is Head of Film at Kinema, a new social cinema platform in the non-theatrical event space. Most recently he served as Vice-President of National Geographic Documentary Films, where he developed, commissioned and acquired feature-length cinematic documentaries for all National Geographic and Disney+ platforms. Harrington helped launch A&amp;E IndieFilms and Discovery Docs, as well as the Tribeca Film Institute’s grant programs as VP of Artist Programs. As a producer, he has won Emmy, Peabody and International Documentary Association awards, and has been nominated for both Academy Awards and Producers Guild of America Awards. IMBb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013314126-NMTDAEZBQZG3WPTA9W3N/21_Paula+Vaccaro-Headshot.jpeg</image:loc>
      <image:title>CineLink Talks - A new take: New models and possibilities for distribution - Paula Alvarez Vaccaro</image:title>
      <image:caption>An award-winning producer and scriptwriter, Paula Alvarez Vaccaro began her career as a journalist in Argentina and has over twenty-five years’ experience working in film, television, radio and print media on three continents. Pinball London, the company she founded in London in 2009, has worked with directors from more than fifteen countries and has won more than thirty awards at A-list festivals worldwide. She is a member of BAFTA, the Writers Guild of Great Britain, the European Film Academy and the European Women’s Audiovisual Network. She is currently on her third mandate as Vice-President of the European Producers Club and is one of the founders of the Anti-Racism Taskforce for European Film. IMDb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/working-with-streamers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628012880630-4XTQBYPHFL0J15TH002Y/21_Chris-Marcich-Headshot.jpg</image:loc>
      <image:title>CineLink Talks - Working with streamers - Christopher P. Marcich</image:title>
      <image:caption>Chris Marcich was appointed CEO of the Croatian Audiovisual Centre (HAVC) in 2019. He has been President of the Board of the AGICOA association of audio-visual producers and their collective rights management groups since 2013. Upon deciding to divide his time between Belgium and Croatia for personal reasons, Marcich was appointed President for International at the Motion Picture Association (MPA) in 2015 to assist with a transition within the association. He was responsible for coordinating MPA’s international offices in Europe, the Middle East and Africa (EMEA) and the Asia-Pacific region, as well as Brazil, Canada and Mexico. He joined the MPA in 1995 and through 2014 was President in charge of MPA’s regional office for EMEA. The office’s principal areas of activity include work on legislative and regulatory issues related to the media sector at the national and European levels. Prior to joining the MPA, Marcich spent sixteen years working in the US Government on international trade issues as a negotiator and on shaping US trade policy. When he left the government in 1995, he was the Assistant US Trade Representative for Europe. Prior to that, he was appointed to the newly created position of Assistant US Trade Representative for Trade and Environment, when he pioneered efforts to integrate health and environmental principles with those of international commerce.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628012926870-1VWJCR9C6Q5SG8AQEYDH/21-Lars+L%C3%B8ge_Headshot_1200.jpg</image:loc>
      <image:title>CineLink Talks - Working with streamers - Lars Løge</image:title>
      <image:caption>Lars Løge is a former producer, having spent the last five years at the Norwegian Film Institute, first as a documentary consultant, the Head of Production and, as of September 2020 Head of Production and International Affairs. His areas of responsibility include developing regulations and schemes for the producing arm of the Norwegian film industry within all formats, including COVID-19-related schemes, to fulfill the goals of the Norwegian government. IMDb</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110653227-G1LJXOC0E9GUK0PZIBJI/Martichka-Bozhilova.jpg</image:loc>
      <image:title>CineLink Talks - Working with streamers - Martichka Bozhilova</image:title>
      <image:caption>Martichka Bozhilova is producer at AgitProp in Bulgaria. Her high-end, author-driven films have been selected for and won awards at the Festival de Cannes, the Berlin International Film Festival, the International Documentary Film Festival Amsterdam, the Toronto International Film Fesival, the Sundance Festival, the Tribeca Film Festival and the Pusan International Film Festival, among many others, and have been broadcast all over the world. Among her productions are Touch Me Not, which won the Golden Bear at Berlin in 2018); the film and four-part television docu-series Palace for the People for ARTE, which was selected for DokLeipzig in 2018; Georgi and the Butterflies , which received the Silver Wolf at IDFA; The Mosquito Problem and Other Stories, which was presented at Cannes; Corridor #8, which screened at the Berlinale; Omelette, which was selected for Sundance; and The Boy Who Was a King, which screened at Toronto. Bozhilova has also produced successful factual television series for National Geographic and HBO, as well as Father’s Day, a high-end drama series for Bulgarian National Television and The Cars We Drove into Capitalism, which is scheduled for release in 2021. IMDb</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110684019-KGBXXKDWNB747HPNHDSD/Pauline-Durand-Vialle.jpg</image:loc>
      <image:title>CineLink Talks - Working with streamers - Pauline Durand-Vialle</image:title>
      <image:caption>Originally from Paris, Pauline Durand-Vialle has worked in film distribution and international sales. She joined the Federation of European Screen Directors (FERA) after holding the position of Deputy Manager in Charge of European Affairs at La Société des réalisateurs de films (SRF), where she worked for five years. She has been Chief Executive Officer of FERA since 2014, and took over the European Audiovisual Observatory’s Advisory Committee Chair in 2020.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110715382-0584MYD5XG2XPJQNP0F9/21_Alexandra-Lebret-Headshot.jpg</image:loc>
      <image:title>CineLink Talks - Working with streamers - Alexandra Lebret</image:title>
      <image:caption>In 2002, Alexandra Lebret was appointed Managing Director of the European Producers Club. Since that time, she has driven the EPC into a new era and worked at transforming the association into the renowned institution it has become. Today, the EPC represents more than 150 film and television drama producers from Canada and thirty-two countries all over Europe. It is now the leading organisation of European independent producers. With its network of producers and the expertise it has developed over the years, the EPC has established itself as a principal interlocutor of the European Commission and several other industry players. Lebret has gained considerable expertise in the European audio-visual landscape and often shares her reflections on the industry at panels all over the world. https://www.europeanproducersclub.org/about-us</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/what-we-have-learned-from-pandemics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628254072203-JVGO8UY3XXDD4I762DSJ/competitie_ada_solomon.jpg</image:loc>
      <image:title>CineLink Talks - What have we learned from filmmaking during the pandemics? - Ada Solomon</image:title>
      <image:caption>Ada Solomon is a Romanian producer. She has produced more than 60 titles, such as Bad Luck Banging or Loony Porn (Radu Jude, 2021, Golden Bear at the Berlin International Film Festival), I Do Not Care If We Go Down in History as Barbarians (Jude, 2018, Grand Prix Crystal Globe at the Karlovy Vary International Film Festival), Aferim! (Jude, 2015, Silver Bear at Berlin), Child’s Pose (Calin Netzer, 2013, Golden Bear at Berlin) and executive produced Maren Ade’s Toni Erdmann. She has worked with leading Romanian filmmakers including Jude, Cristian Nemescu, Ivana Mladenovic, Adrian Sitaru and Alexandru Solomon. She has co-produced films with more than fifteen countries and was involved in the debuts of Belgian Marta Bergman; Italians Chiara Malta, Federico Bondi and Adriano Valerio; Serbian Ivana Mladenovic; Swedish-Romanian Ștefan Constantinescu; and accomplished directors like Tomasz Wasilewski and Slobodan Sijan. Solomon is Deputy Chair of the European Film Academy, Executive President of EWA Network, EAVE RO coordinator, an ACE board member, a founding member of Alliance of Film Producers Ro, and the 2013 winner of the Prix Eurimages of the EFA Awards. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110430888-AEHA8H8UYB53KAUH7YOV/Elizabeth+Karlsen.png</image:loc>
      <image:title>CineLink Talks - What have we learned from filmmaking during the pandemics? - Elizabeth Karlsen</image:title>
      <image:caption>Internationally renowned award-winning producer Elizabeth Karlsen co-founded the leading independent UK-based production company Number 9 Films in 2002 with partner Stephen Woolley. In 2019, she and Woolley jointly received the BAFTA for Outstanding British Contribution to Cinema. Karlsen has produced some of the most celebrated independent films in the United States and Europe, among them Todd Haynes’s Carol, which was nominated for six Academy Awards, six Golden Globe Awards and nine BAFTAs; Mark Herman’s Little Voice, which won a Golden Globe and was nominated for an Academy Award, six further Golden Globes and six BAFTAs; Neil Jordan’s The Crying Game, winner of an Academy Award and a BAFTA, and a nominee for six further Academy Awards; Made in Dagenham, which was nominated for three BAFTAs; Phyllis Nagy’s Mrs Harris, which was nominated for twelve Emmy Awards, three Golden Globes and a PGA Award; and Wash Westmoreland’s Colette, which was nominated for four BIFA’s and an Independent Spirit Award). Other work includes On Chesil Beach, written by Ian McEwan and directed by Dominic Cooke, and Paolo Sorrentino’s Youth (nominated for an Academy Award and the winner of three European Film Awards). Karlsen’s work with Woolley has garnered a total of fifty-two BAFTA nominations and wins and twenty Academy Award nominations and wins. Her most recent feature, Mothering Sunday, written by Alice Birch, directed by Eva Husson and starring Odessa Young, Josh O’Connor, Sope Dirisu, Colin Firth and Olivia Colman, was selected for the 2021 Festival de Cannes and is scheduled for international release later this year. She and Woolley are currently in production on Living, scripted by Kazuo Ishiguro, directed by Oliver Hermanus and starring Bill Nighy, Aimee-Lou Wood and Alex Sharp. IMDb</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628110462371-I4WGNBV5GV15S1MM1E9U/Adis+Djapo+EZ.jpg</image:loc>
      <image:title>CineLink Talks - What have we learned from filmmaking during the pandemics? - Adis Đapo</image:title>
      <image:caption>Adis studied literature and art history at the University of Sarajevo. He started working in film production straight out of high school as a member Sarajevo based SCCA/pro.ba. His producing credits include Aida Begić’s CHILDREN OF SARAJEVO (Cannes 2012 – Un Certain Regard Jury Distinction), Danis Tanović’s AN EPISODE IN THE LIFE OF AN IRON PICKER (Berlinale 2013 – Jury Grand Prix) and DEATH IN SARAJEVO (Berlinale 2016 – Jury Grand Prix). More recently he produced Nermin Hamzagic's FULL MOON (Nominated for European Discovery 2020) and Igor Drljaca's THE WHITE FOTRESS (Berlinale 2021). He is a member of the European Film Academy and EAVE network. IMDb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628013314126-NMTDAEZBQZG3WPTA9W3N/21_Paula+Vaccaro-Headshot.jpeg</image:loc>
      <image:title>CineLink Talks - What have we learned from filmmaking during the pandemics? - Paula Alvarez Vaccaro</image:title>
      <image:caption>An award-winning producer and scriptwriter, Paula Alvarez Vaccaro began her career as a journalist in Argentina and has over twenty-five years’ experience working in film, television, radio and print media on three continents. Pinball London, the company she founded in London in 2009, has worked with directors from more than fifteen countries and has won more than thirty awards at A-list festivals worldwide. She is a member of BAFTA, the Writers Guild of Great Britain, the European Film Academy and the European Women’s Audiovisual Network. She is currently on her third mandate as Vice-President of the European Producers Club and is one of the founders of the Anti-Racism Taskforce for European Film. IMDb</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-talks/in-conversation-with-mads-brugger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628241616066-0K9BP3UVM1HF8YFWSQWJ/mads+brugger.jpg</image:loc>
      <image:title>CineLink Talks - In conversation with filmmaker Mads Brugger</image:title>
      <image:caption>Mads Brügger is a Danish journalist, television host, author and filmmaker. He has written several books, worked for magazines and newspapers, produced award-winning radio programmes and hosted critically acclaimed late night television shows. Brügger is renowned for his distinctive methods of "performative journalism" as he infiltrates various milieux. He has created and featured in satirical docu-series such as Danes for Bush (2004) as well as in feature-length documentaries like his Sundance Film Festival prize-winning The Red Chapel (2009). The Ambassador (2011) and Cold Case Hammarskjöld (2019) were also selected for Sundance. He made his feature fiction debut with The Saint Bernard Syndicate (2018), winner of two awards at the Tribeca Film Festival. In 2011, Brügger became Director of Programming at the public service channel Radio24syv. IMDb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628241992854-XWD63OJ55OB8DHTATPBT/Damir+Sagolj.jpg</image:loc>
      <image:title>CineLink Talks - In conversation with filmmaker Mads Brugger</image:title>
      <image:caption>Damir Šagolj, born in 1971 in Sarajevo, is a Bosnian photographer, journalist and teacher. He completed power engineering studies in Moscow and Sarajevo but the Bosnian war and its total destruction meant a change in career for Damir. From 1992 he was in Sarajevo as a member of Bosnian army, until the end of the country's war four year later. In 1996 he briefly joined Paris based SIPA-press and then Reuters news agency as their Bosnia based photojournalist. For next 24 years Damir travelled the world and reported on major news stories for the agency – mostly on conflicts, civil and other disturbances and natural catastrophes, but also on contemporary issues, sport and other events. He lived in Russia, Thailand, China and spent many years in the Middle East. His work was recognised with industry’s major awards – the Pulitzer prize, World Press Photo, multiple POYi and SOPA among many others. He holds a master degree from the University of Arts in London. Currently, Damir lives in Sarajevo and teaches photography and contemporary documentary approach at the Sarajevo’s Academy of Performing Arts. He regularly holds lectures, masterclasses and workshops at various educational and professional organisations around the world, curates exhibitions and shoots movies. Damir also serves as the director of the WARM Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/anti-racism-and-white-supremacy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-18</lastmod>
    <image:image>
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      <image:title>Anti-Racism and White Supremacy - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1597755825256-OA22XOISSR75N8DHHH5Q/Nada+Riyadh.jpg</image:loc>
      <image:title>Anti-Racism and White Supremacy - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596584389408-AR3UZQG0NHZVQM086EN9/Sarah.jpg</image:loc>
      <image:title>Anti-Racism and White Supremacy - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596894326393-WTD5R0YJZ41XZUBY0KC6/masha.jpg</image:loc>
      <image:title>Anti-Racism and White Supremacy - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1597268596600-Z728TAFP8T3P7KZ9M961/paula.png</image:loc>
      <image:title>Anti-Racism and White Supremacy - Speakers</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/gender-in-post-yugoslav-cinema</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596805111161-XUFY2EZA4Q1N4K7OH0A5/vedrana%2Bfoto%2B%25281%2529.jpg</image:loc>
      <image:title>Gender in Post-Yugoslav Cinema - Speakers</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596807575479-Y218TP8PKLZ8PEJY9YK5/lanaSFF.jpg</image:loc>
      <image:title>Gender in Post-Yugoslav Cinema - Speakers</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596807372066-XEM930SLR0D2YW4YP5R7/MiraKAra.jpg</image:loc>
      <image:title>Gender in Post-Yugoslav Cinema - Speakers</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596806923544-USGQ6MX2LBJYRHB8QKSV/Labina.jpg</image:loc>
      <image:title>Gender in Post-Yugoslav Cinema - Speakers</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/veena-sud</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596431718937-03FMUZR5IEZTT7C0O8GU/VeenaSud_17.jpg</image:loc>
      <image:title>Veena Sud - Speakers</image:title>
      <image:caption>Credit: Angela Lewis</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/the-response-of-public-film-bodies-to-pandemics</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596896094179-SX586A98VI8AL7P5IFXV/DSC_5073.JPG</image:loc>
      <image:title>The Response of Public Film Bodies to Pandemics - Speakers</image:title>
      <image:caption>Chris Marchic - HAVC Director</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596897047848-VQGCNPEVZZWQZXHNS0C6/gordan.jpg</image:loc>
      <image:title>The Response of Public Film Bodies to Pandemics - Speakers</image:title>
      <image:caption>Gordan Matić - FCS Director/ IMDb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596896884191-AHSNEVDBMOZXT55D5CFE/sehad.jpg</image:loc>
      <image:title>The Response of Public Film Bodies to Pandemics - Speakers</image:title>
      <image:caption>Sehad Čekić - FCM Director/ IMDb</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1597001212161-UD9BLRLC3R1R1STSWD4C/MicrosoftTeams-image.png</image:loc>
      <image:title>The Response of Public Film Bodies to Pandemics - Speakers</image:title>
      <image:caption>Jovan Marjanović - Head of Industry</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/netflixs-unorthodox-a-case-study</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-04</lastmod>
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      <image:title>Netflix’s Unorthodox:  A Case Study - Speakers</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/imagining-a-radically-new-way-to-curate-and-review</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-12</lastmod>
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      <image:title>Imagining a Radically New Way to Curate and Review - Speakers</image:title>
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    <image:image>
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      <image:title>Imagining a Radically New Way to Curate and Review - Speakers</image:title>
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    <image:image>
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      <image:title>Imagining a Radically New Way to Curate and Review - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596612360503-ABIAI3FT9IKL6K4ACXC4/20-Sarajevo-Elma%2BTataragic-Photo.jpg</image:loc>
      <image:title>Imagining a Radically New Way to Curate and Review - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1597268705422-XFO7NPD0N18I5QOMQ591/paula.png</image:loc>
      <image:title>Imagining a Radically New Way to Curate and Review - Speakers</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/supply-chain-interrupted</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596619865020-SUEAVANYWQA8ZU3ZC7MM/sanja.jpg</image:loc>
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    <image:image>
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    <image:image>
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    <image:image>
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      <image:title>Supply Chain Interrupted - Speakers</image:title>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/can-platforms-and-tv-work-together</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-12</lastmod>
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      <image:title>Can Platforms and TV Work Together - Speakers</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596430292023-8NEGX7B74XX9HR6CJE8Y/carolina%2Bbilbao.jpg</image:loc>
      <image:title>Can Platforms and TV Work Together - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1597048760538-QTQ0YWPY1T2DO5I68CMC/joyce+pierpoline.JPG</image:loc>
      <image:title>Can Platforms and TV Work Together - Speakers</image:title>
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    <image:image>
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      <image:title>Can Platforms and TV Work Together - Speakers</image:title>
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    <image:image>
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      <image:title>Can Platforms and TV Work Together - Speakers</image:title>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/political-correctness-and-cinema</loc>
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    <priority>0.75</priority>
    <lastmod>2020-08-09</lastmod>
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      <image:title>Political Correctness and cinema - Speakers</image:title>
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      <image:title>Political Correctness and cinema - Speakers</image:title>
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      <image:title>Political Correctness and cinema - Speakers</image:title>
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    <image:image>
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      <image:title>Political Correctness and cinema - Speakers</image:title>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/speakers/radical-new-strategies-for-distribution</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-12</lastmod>
    <image:image>
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      <image:title>Radical New Strategies for Distribution - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596581846583-32JIGSBOP6WLF6EK37Z0/Karin_bio_piccropped.jpg</image:loc>
      <image:title>Radical New Strategies for Distribution - Speakers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596582240161-FJ0WHQ8STIH0V7XJYQXV/20-Sarajevo-Hebe%2BTabachnik-Photo.jpg</image:loc>
      <image:title>Radical New Strategies for Distribution - Speakers</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1596428687805-VAT46B1I1TKR9TAU6IQY/jamie%2Bd.jpg</image:loc>
      <image:title>Radical New Strategies for Distribution - Speakers</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1597268027054-WBL9JWDBH5P8KS6TZC0N/paula.png</image:loc>
      <image:title>Radical New Strategies for Distribution - Speakers</image:title>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/avant-premiere-lab</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-14</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/talents-sarajevo-pack-pitch</loc>
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    <priority>0.75</priority>
    <lastmod>2020-08-18</lastmod>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/partners-and-sponsors</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-24</lastmod>
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      <image:caption>URŠA MENART (1985) graduated in Film and TV directing from University of Ljubljana Academy for Theatre, Radio, Film and Television in 2010. She directed few documentaries (WHAT ABOUT MOJCA?, THERE ONCE WAS A LAND OF HARDWORKING PEOPLE) and co-wrote two feature films; NIGHTLIFE (directed by Damjan Kozole and co-written by Kozole and Ognjen Sviličić which won Best Director Award in Karlovy Vary IFF 2016) and Half-Sister (Karlovy Vary IFF, 2019). Her debut feature as writer/director MY LAST YEAR AS A LOSER(2018) won the Slovenian national award Vesna for Best Film and Best Screenplay.</image:caption>
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      <image:caption>Producer and managing director of Vertigo, a Ljubljana (SI) based production company with a distinctive track record. He's a film producer with extensive working experience on international co-productions and narrow budget films. Hočevar has produced or co-produced around 45 award winning feature films, as well as more than 15 documentaries and 50 short films and TV productions. Danijel has been selected among Variety’s Ten Producers To Watch in 2001. He is a voting member of EFA and since 2011 the president of the Association of Slovenian Film Producers.</image:caption>
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      <image:title>2021 CineLink Co-Production Market - Lust</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/a374cb48-bbf1-49b5-8038-d77d235c7ad4/LUST_04.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Lust</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/23d33fda-14f8-476c-8b3b-43b65c50f563/LUST_02_1.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Lust</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/d1bc5659-2923-4b03-b33a-085ef81a8de6/LUST_03.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Lust</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627642660705-VEK0E7OA0VXVLEM69QZL/Ralitza+Petrova%2C+director.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Lust - Director’s biography: Ralitza Petrova / IMDb</image:title>
      <image:caption>RALITZA PETROVA studied film and video art at University of the Arts London, and later fiction directing at the UK’s National Film and Television School (NFTS). Her short films have won international acclaim at the festival circuit, including Cannes, Berlin, and Locarno. In 2016, her debut GODLESS premiered at Locarno Film Festival, where it won four awards, amongst them the Golden Leopard for Best Film. The film received 27 main awards, and a nomination for European Discovery 2017 – Prix FIPRESCI by the European Film Academy. Petrova is a fellow of the DAAD Artist-in-Berlin Program 2019.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627642679960-FR9IZBW2TG1MN79BWN85/Poli+Angelova%2C+producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Lust - Producer’s biography: Poli Angelova / IMDb</image:title>
      <image:caption>POLI ANGELOVA was born in Usogorsk, Russia. She graduated in Film and Television Directing at New Bulgarian University. Since 2007 he has been working as a producer. In February 2007 she participated in the 5th Berlinale Talent Campus, and the 1st Sarajevo Talent Campus, as well as in many other film forums and festivals over the years. Her filmography as a producer includes over 20 short films, 2 feature films, and 2 documentaries. Her co-producer credits include the films THE LESSON and GLORY. She has also executive produced THE FATHER Grand Prix, 54th Karlovy Vary IFF 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/cotton-queen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627643366794-D8VYV3FHUZ68HRS0E3ND/Suzannah+Mirghani+DIrector+-+Producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Cotton queen - Director’s biography: Suzannah Mirghani / IMDb</image:title>
      <image:caption>SUZANNAH MIRGHANI is a writer, researcher, and independent filmmaker. She is a media studies and museum studies graduate and publishes creative and scholarly work on a variety of cultural issues. Mixed race Sudanese and Russian, she is most interested in stories that examine the complexity of identity. Suzannah is the writer, director, and producer of AL-SIT (2020), which won several awards, including the Grand Prix at the 2021 Tampere Film Festival (Academy Award qualifying); the Canal+ Award at the 2021 Clermont-Ferrand Film Festival; and the Jury Award at 2021 Busan Short Film Festival.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/man-in-a-blue-sweater</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627641902738-FNK1HQMCUJYXJAGC4YTH/Teymur+Hajiyev+director.jpeg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Man in a blue sweater - Director’s biography: Teymur Hajiyev / IMDb</image:title>
      <image:caption>TEYMUR HAJIYEV was born in Baku, Azerbaijan. BSc in Economic Cybernetics (Baku) and MBA in Marketing from West Texas A&amp;M University. Before moving into filmmaking, TeymurHa worked as Marketing Director in various commercial entities in Azerbaijan. Teymur premiered his directing debut short, THE WOUND, at the Palm Springs ShortsFest in 2013. His 2nd short SHANGHAI, BAKU premiered at Tampere FF (2016) and his 3rd short, SALT, PEPPER TO TASTE premiered at IFF Rotterdam (2019).The inclusion of TOWARDS EVENING in the Semaine de la Critique makes Teymur the only Azerbaijani-filmmaker to have been at Cannes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627641919733-FT8N9CN7ERUDNYXPJK6Z/Eva+Blondiau%2C+producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Man in a blue sweater - Producer’s biography: Eva Blonidau / IMDb</image:title>
      <image:caption>EVA BLONIDAU graduated with a Magister from the university in Bonn in the subjects North American Studies and History. graduated from the ifs international film school in Cologne in 2012 with her production of Elmar Imanov's The Swing of the Coffin Maker. She founded her production company COLOR OF MAY together with Elmar Imanov in 2013. Together they also founded the company MAISIS PERI in Tbilisi, Georgia. EAVE member, Producer on the Move 2019 and EFA member.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/gambit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627382498253-ODQC8ZM903426PB1SO7O/Konstantin+Bojanov%2C+Director_writer_producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Gambit - Director’s biography: Konstantin Bojanov / IMDb</image:title>
      <image:caption>KONSTANTIN BOJANOV is a writer/director and a visual artist, who holds a B.A. from the National School of Fine Arts in Sofia and an M.A. from the Royal College of Art, London. Bojanov’s first feature film AVÉ (2011) premiered in the Critics’ Week in Cannes and screened at over 70 international film festivals, winning 20 prestigious awards. His second feature, LIGHT THEREAFTER (2017), premiered in competition at the IFF Rotterdam. Bojanov is currently in pre-production on his third feature film, THE SHAMELESS.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627641597274-TNKYO4WFVTYL3WVMXIOJ/Katya+Trichkova%2C+producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Gambit - Producer’s biography: Katya Trichkova / IMDb</image:title>
      <image:caption>After graduating in law and filmmaking, in 2009 KATYA TRICHKOVA founded and managed Contrast Films, a production company whose main objective is to develop and produce fiction and documentaries. Her filmography includes ROUNDS by Stephan Komandarev (2019, Sarajevo FF), DIRECTIONS by Stephan Komandarev (2017, Un Certain Regard, Festival de Cannes ), CAINI by Bogdan Mirica (2016, FIPRESCI Prize, Un Certain Regard, Festival de Cannes). She is alumni of EAVE, EURODOC, Sarajevo Talent Campus, Kyoto Film lab. As a freelancer, Katya was producer of several award winning fiction films.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/three-miles-to-the-end-of-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 CineLink Co-Production Market - Three miles to the end of the world</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627642764898-1RI9MOFUXMQYKP3Z5ZLY/Emanuel+Parvu+Director.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Three miles to the end of the world - Director’s biography: Emanuel Parvu / IMDb</image:title>
      <image:caption>EMANUEL PARVU was born in 1979 in Romania. He graduated the acting class from the Romanian National University for Theater and Film and holds a Master Degree in the Art of Acting and a PHD in the Dramaturgical Structures. He works as an actor and as a film&amp; theatre director. He is known for his roles in: Cristian Mungiu’s Graduation&amp; Tales from the Golden Age, Adrian Sitaru’s Art, Contantin Popescu’s Pororoca, Dan Chisu's The Anniversary&amp; 5 Minutes. He has written and directed several short films before his feature debut, MEDA OR THE NOT SO BRIGHT SIDE OF THINGS (2017).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627642824913-TYKB74EI2RRITD471PYU/Miruna+Berescu+Producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Three miles to the end of the world - Producer’s biography: Miruna Berescu / IMDb</image:title>
      <image:caption>MIRUNA BERESCU is the Director of ANONIMUL International Film Festival, since its first edition back in 2004 and the founder of FAMart Cultural Boutique Association. She is now involved in film production and distribution, and a film consultant for script development. She has a Masters Degree in Economics, International Relations. She has experience as a TV producer and anchor for cultural TV shows, has an audio-visual degree by TV5&amp;France 2, back in 1999. She worked as the Spokewoman for the Minister of Culture, 2005-2006.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/lunatic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627641724130-P0WDWOOKTK9TIBK2UHOI/Igor+%C5%A0terk+Director.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Lunatic - Director’s biography: Igor Šterk / IMDb</image:title>
      <image:caption>IGOR ŠTERK was born in 1968 and graduated at Ljubljana Film Academy in early nineties. He stablished himself already with his first feature film EXPRESS, EXPRESS which trawled many international festivals and it was also sold to many territories. Up to date he has directed few documentaries and 5 feature films, some of them international coproduction with ZDF/ARTE and others. His last feature was a youth film COME ALONG that premiered at Cinekid in Amsterdam and became a bit of a cult hit in Slovenia. LUNATIC will be his sixth feature film.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627641754592-BN7UJV7B86XV7UHJH0TY/Petra+Vidmar+Producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Lunatic - Producer’s biography: Petra Vidmar / IMDb</image:title>
      <image:caption>PETRA VIDMAR was born in 1978 and achieved her film production professional training working in the industry since 2000 and through MBA Rhonda (2009) and EAVE (2007). Works she produced, line produced or coproduced have travelled the festivals (Rotterdam, Cannes, Venice, ect) and have been awarded many times over, have cumulated in to world sales and domestic highest grossing works. As a partner in production company GUSTAV FILM and procurator of A.A.C.productions, projects produced by her have stable and established production company foundation with vast network of film professionals.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/vanja</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-30</lastmod>
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      <image:title>2021 CineLink Co-Production Market - Vanja</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/8089b561-ac02-44ad-9d59-048e9ffebb23/2-Photographer.JPG</image:loc>
      <image:title>2021 CineLink Co-Production Market - Vanja</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/e522b349-daaf-4d9b-b5b6-bf8ce42ace3c/3-Bar-Frankfurt.png</image:loc>
      <image:title>2021 CineLink Co-Production Market - Vanja</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/853df979-8d68-4bc8-9fae-aca2a3519b2a/4-HouseRuins.JPG</image:loc>
      <image:title>2021 CineLink Co-Production Market - Vanja</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627642883660-AG401HJYL3L7GB6AUGKR/Aleksandra+Odi%C4%87%2C+director_writer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Vanja - Director’s biography: Aleksandra Odić / IMDb</image:title>
      <image:caption>ALEKSANDRA ODIĆ is a Berlin based filmmaker. Born in Bosnia-Herzegovina, as a child she moved to Germany due to the war. Her work as an actress was followed by studies of Film Direction at the German Film and Television Academy Berlin (DFFB). Her mid-length film KINESKI ZID (GREAT WALL OF CHINA) premiered at the Sarajevo Film Festival 2017 and at the Berlinale 2018 and won several awards. Her new short film FRIDA premiered at the Cannes Film Festival 2021 in the section Cinéfondation and won the Queer Palm for short movie 2021 and the LIGHTS ON WOMEN Award.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627642919536-D1SC8ML5I32N5KHJFNS7/Julia+I.+Peters%2C+producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Vanja - Producer’s biography: Julia I. Peters</image:title>
      <image:caption>After many years of experience in different areas of film production and international co-production, JULIA I. PETERS and JUTTA FEIT founded jip film &amp; verleih in 2017. In continuous collaboration with directors we produce small and large international documentaries and feature films. The intensive preparation of projects and impact producing are for us building blocks for a successful production. We are interested in political and socially critical and relevant feature films and documentaries.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/hesitation-wound</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627641634815-N1ZYBWMBNP129I87C39K/Selman+Nacar+Director.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Hesitation wound - Director’s biography: Selman Nacar / IMDb</image:title>
      <image:caption>SELMAN NACAR is a filmmaker, with an MFA of Film in Directing from Columbia University, New York City. He graduated from İstanbul Bilgi University Faculty of Law in 2015, and from Faculty of Film in 2016. He is an alumnus of the Berlinale Talent 2019, and the First Films First 2020. Selman is the founder of Kuyu Film, a production company that produced the films THE PILLAR OF SALT (2018) and BELONGING (2019), both of which have premiered at the Berlin Film Festival Forum Section.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627641657249-AS5FZAGPRDATKRDVZPOU/Burak+Cevik.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Hesitation wound - Producer’s biography: Burak Çevik / IMDb</image:title>
      <image:caption>BURAK ÇEVIK completed his undergraduate program in cinema at Istanbul Bilgi University. Then he started to give lectures at Istanbul Bilgi University. He directed and produced his first feature film in 2018 titled THE PILLAR OF SALT, which premiered in the Berlinale Forum in 2018. His second feature film titled Belonging premiered in the Berlinale Forum in 2019. He produced Selman Nacar’s first feature film titled BETWEEN TWO DAWNS and is working on Nacar’s second feature film, HESITATION WOUND.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1628933224364-3ZXME984LP6NIYVVX6LM/diloy_producer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Hesitation wound - Producer’s biography: Diloy Gulun / IMDb</image:title>
      <image:caption>In 2001, she started her producer career with Ahmet Uluçay’s award-winning Boats out of Watermelon Rinds. Following Asmali Konak: Hayat (2003), she founded Karma Films in 2003 and line produced several features including; Charlie’s Angels (dir. Elizabeth Banks, 2019), Inferno (dir. Ron Howard, 2016), Taken 2 (dir. Olivier Megaton, 2012), The Reluctant Fundamentalist (dir. Mira Nair, 2012), and The International (dir. Tom Tykwer, 2009). In 2018, she produced the Sundance Film Festival World Cinema Grand Jury Prize winner Butterflies by Tolga Karaçelik. In 2019, she produced the digital TV series I, Bartu (Ben Bartu), and the feature films The Hunt (Av) by Emre Akay, and Between Two Dawns by Selman Nacar.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-coproduction-market/tekbetek</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627385481815-1NDAW1VJOUPYLIJZVD9R/Ismail+Safarali%2C+director_writer.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Tekbetek - Director’s biography: Ismail Safarali / IMDb</image:title>
      <image:caption>ISMAIL SAFARALI was born in April 1978 in Baku, Azerbaijan. In September 2015 Ismail graduated with honors from the Moscow School of New Cinema (MSNC) with a Master’s degree in Filmmaking. Ismail has shot and produced four short films and a feature film, all premiered internationally. Produced by Russian Non-stop Productions, Ismail’s feature film THE FISHERMAN’S DAUGHTER has been selected for the main program of the Moscow International Film Festival (2020) and sold internationally by Wild Bunch. Ismail currently resides in Paris.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627642719357-CPC5L10XKK0XXGNJ0JRB/Naila.jpg</image:loc>
      <image:title>2021 CineLink Co-Production Market - Tekbetek - Producer’s biography: Naila Safarali / IMDb</image:title>
      <image:caption>NAILA SAFARALI leads projects in Inclusion, Wellbeing, Women in Leadership, LGBT+, leadership and employee experience at Deloitte France and EMEA. She is a coach and a facilitator of one of the best rated Deloitte University Europe programs in high impact leadership. Naila is passionate about art and photography, she has coached in creative industries, such as film, theater, dance and arts. She has acted in three short films. Along with her husband, writer and director Ismail Safarali she has established Green Garden Films production company that has been producing short films since 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-drama</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-03</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-drama/doubles-dilemma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-drama/jinx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-drama/treasure-of-veles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-30</lastmod>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-drama/trixy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-drama/hooked</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 CineLink Drama - Hooked</image:title>
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      <image:title>2021 CineLink Drama - Hooked</image:title>
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      <image:title>2021 CineLink Drama - Hooked</image:title>
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      <image:title>2021 CineLink Drama - Hooked</image:title>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-cinelink-drama/the-grand-trial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/one-more-question</loc>
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    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 Docu Talents from the East - One More Question</image:title>
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      <image:title>2021 Docu Talents from the East - One More Question</image:title>
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      <image:title>2021 Docu Talents from the East - One More Question</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627728427498-DVLBWM3UONVB38PIQWEC/Mira%2BErdevicki%2Bdirector.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - One More Question - Director’s biography: Mira Erdevicki / IMDb</image:title>
      <image:caption>MIRA ERDEVICKI is an award-winning documentary maker, director and writer. Her debut feature-length documentary BLACK AND WHITE IN COLOUR was the first Czech film to secure a broadcast on BBC Storyville and went to win numerous awards. Mira subsequently created a number of documentaries for European broadcasters, mainly BBC and ARTE, such as SOMEWHERE BETTER, THE MAN WITH AN OPERA HOUSE IN HIS LIVING ROOM, SEVDAH, BRIDGE THAT SURVIVED and TITO’s GHOSTS.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627728492589-OQ9W2BI2HP92971RV2I8/Lucie%2BWenigerova%2Bproducer.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - One More Question - Producer’s biography: Lucie Wenigerova / IMDb</image:title>
      <image:caption>LUCIE WENIGEROVA is a Bafta-nominated film and TV producer. Most recently, she’s worked as Associate Producer on the latest film by Sally Potter, THE ROAD’S NOT TAKEN starring Javier Bardem and Elle Fanning, which premiered in 2020 Berlinale Competition. Her previous credits include STRAWBERRY FIELDS (BBC/Film London) and the MIST series for channel Five. Lucie is a long-standing member of the European producers’ network ACE.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/freedom-squared</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 Docu Talents from the East - Freedom Squared</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/509a1e4c-22ee-4262-b517-36a33fcf6fa4/sarajevoff-2021+-+Freedom+squared+-+Graphic+materials+%5B1372377%5D.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Freedom Squared</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/6e0f4f06-26eb-4582-a895-3acdadae796d/sarajevoff-2021+-+Freedom+squared+-+Graphic+materials+%5B1372380%5D.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Freedom Squared</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627728770412-KJV6NX30NU83UCV3D3F0/Director%2BAnastasia%2BZverkova.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Freedom Squared - Director’s biography: Anastasia Zverkova</image:title>
      <image:caption>Graduated from faculty of journalism of the Baikal State University in 2013. Completed documentary and feature movie workshop of A.N. Gerasimov and A.M. Dobrovolsky at Higher Courses of Directors and Scriptwriters in Moscow in 2015. Her graduation movie COUNTRYMEN participated in the 21st Movie Festival hosted in Russia, Kazakhstan, Israel, Latvia, France and Norway, including the 38th Moscow International Movie Festival. The movie was as well screened in the University of Oxford.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627728844188-PU04YWL1SLUUT7LOYB0Z/Producer+Anastasia+Alexeeva.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Freedom Squared - Producer’s biography: Anastasia Alexeeva</image:title>
      <image:caption>Born in Moscow in 1979. Education – the editor-publisher and the economist of the culture. Since 2002, has been working in film production as producer. The films she worked on won prizes at international and Russian film festivals. Many films were shown in Europe and the United States at the box office. And some are sold on Netflix. She has worked on more than 30 films. She is a member of the Union of cinematographers of Russia, and a member of the Moscow Union of artists.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/dont-worry-sari</loc>
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    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 Docu Talents from the East - Don't Worry, Sari!</image:title>
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      <image:title>2021 Docu Talents from the East - Don't Worry, Sari!</image:title>
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      <image:title>2021 Docu Talents from the East - Don't Worry, Sari!</image:title>
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      <image:title>2021 Docu Talents from the East - Don't Worry, Sari!</image:title>
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      <image:title>2021 Docu Talents from the East - Don't Worry, Sari!</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627729780365-R10TSH0U2OKIMYH53WDJ/Director+Sari+Haragonics.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Don't Worry, Sari! - Director’s biography: Sári Haragonics / IMDb</image:title>
      <image:caption>SÁRI has graduated from the University of Theatre and Film Arts, Budapest with an MA in documentary film directing. Her graduation film, COMING FACE TO FACE has won the ZOOM-IN competition at the Verzio International Documentary Festival in 2015. Her first feature-length documentary, HER MOTHERS (co-directed with Asia Dér) premiered at Hot Docs International Documentary Film Festival in 2020. SÁRI is now working on her next documentary-feature, DON’T WORRY, SARI! She has recently started her Doctoral studies researching how participatory video can affect our social relations.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627730066121-J09NRTHWHZDBPRKD9ATM/Producer+Sara+Laszlo.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Don't Worry, Sari! - Producer’s biography: Sára László</image:title>
      <image:caption>SARÁ LÁSZLÓ graduated at the film director’s faculty of the University of Theatre and Film Arts in Budapest, and also completed a one-year production training in the Parisian ESRA as well as an internship at Les Films du Poisson. She co-founded CAMPFILM in 2007 and has been working as a producer or occasionally as a co-author since. With CAMPFILM’S projects, she participated in several international training programs (Ex Oriente Film, Eurodoc, Nipkow Programme, EAVE, DokIncubator, Producers on the MOve 2021). In 2018 she defended her DLA dissertation focusing on documentary producing studies.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/boxing-with-myself</loc>
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    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 Docu Talents from the East - Boxing With Myself</image:title>
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      <image:title>2021 Docu Talents from the East - Boxing With Myself</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627731243999-HE24KU6L8UV46FOGU2H8/Director%2BAndreiana%2BMihail.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Boxing With Myself - Director’s biography: Andreiana Mihail</image:title>
      <image:caption>ANDREIANA MIHAIL is a filmmaker with a rich art background. She is a DEA graduate in Philosophy of art at the Sorbonne. Her work experience spans from curatorial work to that of a gallery owner. Her work was featured in some of the world's most prestigious publications like The New York Times (article by Holland Cotter on Frieze New York 2012), The Financial Times, London Times (during Frieze London 2010 and 2011), Frankfurter Allgemeine Zeitung, amongst many others.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627731554552-YRB7SRWC3Y5DU567H01J/Producer%2BAlex%2BGalmeanu.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Boxing With Myself - Producer’s biography: Bianca Oana / IMDb</image:title>
      <image:caption>BIANCA OANA is a Romanian writer and producer. Since 2009, she has been working in developing, producing and promoting multi-awarded art-house films, including TOTO AND HIS SISTERS 2014 (San Sebastian IFF, Angers Grand Prix, Zurich IFF Golden Eye), TOUCH ME NOT (Berlinale Golden Bear and Best Debut Feature 2018) and COLLECTIVE (Venice IFF, EFA Best Documentary, nominated for Best Intl. Feature and Best Documentary at the 93rd Oscars). In 2015 she founded MONOGRAM FILM, a production company dedicated to discovering filmmakers with a particular artistic view, regardless of the medium.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/comrades</loc>
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    <priority>0.5</priority>
    <lastmod>2021-08-05</lastmod>
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      <image:title>2021 Docu Talents from the East - Comrades</image:title>
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      <image:title>2021 Docu Talents from the East - Comrades</image:title>
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      <image:title>2021 Docu Talents from the East - Comrades</image:title>
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      <image:title>2021 Docu Talents from the East - Comrades</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627732003477-PRI5UP61WS5CUX7R6KZU/Director+Joanna+Janikowska%27s+Photo+%5B1379856%5D.jpeg</image:loc>
      <image:title>2021 Docu Talents from the East - Comrades - Director’s biography: Joanna Janikowska / IMDb</image:title>
      <image:caption>Film director, editor, and author of TV reports and short documentaries. Graduate of Warsaw University’s Multidisciplinary Individual Studies in Humanities. Mastered the art of filmmaking as assistant director, collaborating with such directors as Piotr Stasik (21xNEW YORK, European Film Award nominee, and OPERA ABOUT POLAND). JANIKOWSKA developed her full-length documentary debut COMRADES as part of Doc Lab Poland and Circle Women Doc Accelerator. COMRADES was pitched at Krakow Film Festival (2018) and Dok Leipzig (2019).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627732233746-JC25TVMOQUYYVQ7WYE8I/Producer+Anna+Gawlita%27s+photo+%5B1379857%5D.jpeg</image:loc>
      <image:title>2021 Docu Talents from the East - Comrades - Producer’s biography: Anna Gawlita / IMDb</image:title>
      <image:caption>Awarded as the best producer at Era New Horizons International Film Festival (2008) and Krakow Film Festival (2017). Co-owner and chairwoman at KIJORA FILM. A member of the Polish and European Film Academy. Producer of feature-length fiction film – HURRAH, WE ARE STILL ALIVE! directed by Agnieszka Polska (AGBO Fellowship Award Winner at Slamdance Film Festival). Producer and production manager of films among others of Tomasz Wolski, Piotr Stasik, and Aleksandra Maciuszek which were awarded at Visions du Réel, Jihlava FF, Krakow FF, Palms Springs FF, Margaret Mead in NY, and many others.</image:caption>
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  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/the-investigator</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 Docu Talents from the East - The Investigator</image:title>
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      <image:title>2021 Docu Talents from the East - The Investigator</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627730881388-81XOSTMGC0BMHGV3CQ3T/Director%2BViktor%2BPortel.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - The Investigator - Director’s biography: Viktor Portel / IMDb</image:title>
      <image:caption>VIKTOR PORTEL is a documentary film director and head of audio-visual department at Post Bellum, focusing on producer and content advisor roles. He prepared i.e. a site-specific exhibition MEMORY OF NATION (2018) in the former Stalin Memorial or supervised a video mapping installation for Velvet Revolution anniversary. He supervised and partially directed a documentary TV Series called STORIES OF 20TH CENTURY. His short film HAVEL HEART won Czech Press Photo Award. He is currently in post production with his feature length debut THE INVESTIGATOR. He studied at FAMU in Prague.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627730963874-9B2EOA6KY6QYIE86UPG0/Producer%2BHana%2BSilarova.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - The Investigator - Producer’s biography: Hana Blaha Šilarová</image:title>
      <image:caption>HANA ŠILAROVÁ works as a film producer at FRAME FILMS. Her finished films are EMPIRE BUILDERS (Festival dei Popoli, Pavel Koutecký Award) and NEVER HAPPENED (Warsaw IFF, Ji.hlava IDFF, Beldocs). Currently, her documentary road movie THE INVESTIGATOR is in post production. Hana develops feature fiction HOMELAND, documentary film HUMAN BEING, VR animated documentary DARKENING and other projects. She worked for VOD platform DAFilms.com as a PR Manager, in program departments of Prague IFF – Febiofest and at an editing workshop dok.incubator. She graduated in Film Studies and in Production at FAMU.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/snescha-and-franz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627731733647-FA4PTMZ8IRNZ44FTNIPO/Director%2BSvetoslav%2BDraganov.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Snescha and Franz - Director’s biography: Svetoslav Draganov / IMDb</image:title>
      <image:caption>SVETOSLAV DRAGANOV is a Bulgarian filmmaker born 1976. His works as an author, director and producer are MDR award winner at Leipzig Dokfilm festival, 2001- LIFE IS WONDERFUL, ISN’T IT?, THE MERRY BOYS - IDFA 2003, YOUNG AT HEART winner of special Prix Europa 2003, AMATEURS - Golden Rhyton for the best Bulgarian documentary of 2005, LIFE ALMOST WONDERFUL - 2013 - IDFA 2013- feature length competition and special mentions at ZagrebDox 2014 and Sofia Film Fest at 2014.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627731824986-E7QKER3LE83DBJYJZA3A/Co-Producer%2BKatya%2BTrichkova.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - Snescha and Franz - Co-Producer’s biography: Katya Trichkova / IMDb</image:title>
      <image:caption>After graduating in law and filmmaking, in 2009 KATYA founded and managed CONTRAST FILMS. Her recent filmography includes SILENT LEGACY (2021, documentary by Petya Nakova, co-production with HBO Europe), ROUNDS by Stephan Komandarev (2019, Sarajevo FF), DIRECTIONS by Stephan Komandarev (2017, Un Certain Regard, Festival de Cannes).</image:caption>
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  <url>
    <loc>https://www.cinelinkindustrydays.com/2021-docu-talents-from-the-east/the-cabinet</loc>
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    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:title>2021 Docu Talents from the East - The Cabinet</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627729257285-EV12YXZJO2DZKQ09DMZV/Director%2BZivile%2BMiciulyte.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - The Cabinet - Director’s biography: Živilė Mičiulytė / IMDb</image:title>
      <image:caption>ŽIVILÉ MIČIULYTÉ was born in Vilnius in 1990. She is a theatre and documentary film director. She has a Bachelor degree (2013), a Master degree (2015) and PHD in Film Directing (2020, Lithuanian Academy of Music and Theatre). Her topic of art research is The post-truth phenomenon in theatre and cinema: creative strategies. Živilė also worked with other cinema and theatre directors (Sergei Loznitsa, Algimantas Puipa and others). She is lecturer at Lithuanian Academy of Music and Theatre and at Gediminas Technical University. She conducts various film education seminars.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627729299961-16N4LF0QT32RSEG4Z6Q7/producer+Stasys+Baltakis.jpg</image:loc>
      <image:title>2021 Docu Talents from the East - The Cabinet - Producer’s biography: Stasys Baltakis / IMDb</image:title>
      <image:caption>STASYS BALTAKIS is an owner of small yet busy film production company FILM JAM based in Vilnius Lithuania. He has an MFA degree from California Institute of the Arts (Calarts) and Lithuanian Music and Film Academy (LMTA), worked as a producer in Canada and Lithuania, taught as an Associated Professor and head of Arts Management Department in LMTA where he hand-picked his future colleagues to make films together when he started FILM JAM.</image:caption>
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  <url>
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      <image:title>2021 Docu Rough Cut Boutique - No Place for You in Our Town</image:title>
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      <image:title>2021 Docu Rough Cut Boutique - No Place for You in Our Town</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627674383934-R1MPAOQDTGM6KAH6Y39R/Director_s%2BPhoto%2BNikolay%2BStefanov%2B%25281%2529.jpg</image:loc>
      <image:title>2021 Docu Rough Cut Boutique - No Place for You in Our Town - Director’s biography: Nikolay Stefanov / IMDb</image:title>
      <image:caption>Having graduated with an MA in Cinematography in 2003, NIKOLAY STEFANOV has worked as a cinematographer with most major production companies in Bulgaria in the last 18 years. He has extensive experience with diverse visual styles from his work for films, series, TV, and ads. Building on his cinematography background, he made a directing debut with the feature-length documentary SHEARS (2018) which was selected at European markets and festivals. Tackling important and sensitive social topics and designed for international reach, NO PLACE FOR YOU IN OUR TOWN is his current bold project.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627674459602-GKSQW82Q6PW6TEXU42VY/Producer_s+photo+Ralitsa+Golemanova+%281%29.jpg</image:loc>
      <image:title>2021 Docu Rough Cut Boutique - No Place for You in Our Town - Producer’s biography: Ralitsa Golemanova / IMDb</image:title>
      <image:caption>RALITSA GOLEMANOVA earned a BA in Journalism and Mass Communications and in European Studies at the American University in Bulgaria and an MA in Media and Communications at Erasmus University Rotterdam. She explored the political side of communications in Brussels working at European Union-related organizations. She worked in marketing, before delving into a true passion - documentary filmmaking. Building on her multidisciplinary experience, RALITSA is producing documentaries with social relevance, which have been selected at East Silver Market and Thessaloniki Doc Market, among others.</image:caption>
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  <url>
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    <lastmod>2021-07-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627674571695-H0JV2PLFXQLVPD5QN8UU/Director_s%2BPhoto%2BDalija%2BDozet%2B%25281%2529.jpg</image:loc>
      <image:title>2021 Docu Rough Cut Boutique - My Dad's Lessons - Director’s biography: Dalija Dozet / IMDb</image:title>
      <image:caption>DALIJA DOZET (Osijek, 1987) is a director and screenwriter based in Zagreb, Croatia who has been playing with various film forms since she was a child. During her studies at the Faculty of Dramatic Arts in Zagreb, she wrote and directed several short films which were screened at national and international film festivals. She explores film language in different forms and fields of filmmaking as a director, editor and screenwriter, collaborating within fiction, documentary and experimental forms and narratives. MY DAD’S LESSONS is her first feature documentary film.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627674629011-1FHKALNVCYMXBTE5EW5W/Producer_s%2Bphoto%2BDana%2BBudisavljevic%2B%25281%2529.jpg</image:loc>
      <image:title>2021 Docu Rough Cut Boutique - My Dad's Lessons - Producer’s biography: Dana Budisavljević / IMDb</image:title>
      <image:caption>DANA BUDISAVLJEVIĆ (1975) graduated from the Academy of Dramatic Art in Zagreb. She worked as an editor, production assistant, and organizer of film festivals. Her directorial debut was documentary STRAIGHT A’S (2004), and has gained popularity with FAMILY MEALS (2012), a documentary about her own coming out. Her first feature THE DIARY OF DIANA B. was awarded Golden Arena at the Pula Film Festival making her the first female director to receive main festival award since 1957. DANA is a co-founder of HULAHOP where she works as Head of production.</image:caption>
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  <url>
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    <lastmod>2021-07-27</lastmod>
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      <image:title>2021 Docu Rough Cut Boutique - Bottlemen</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627674115784-VOZLC94GSPUIJ6FBYCZY/Director_s+Photo+Nemanja+Vojinovic%CC%81.jpg</image:loc>
      <image:title>2021 Docu Rough Cut Boutique - Bottlemen - Director’s biography: Nemanja Vojinović / IMDb</image:title>
      <image:caption>NEMANJA VOJINOVIĆ studied film directing at the Faculty of Dramatic Arts in Belgrade, where he graduated with co-authors film WHERE’S NADJA, working together with colleagues from the class. With his short documentary film REALITY, FUCK OFF won awards at regional and international festivals. Feature documentary debut as a director and producer was with a documentary LAS DISTANCIAS (2017), where he followed emigrants from Cuba to United States. Currently working on his second feature-length documentary BOTTLEMEN. Member of Dok.Serbia – Association of Serbian documentary filmmakers.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627674249552-PYBZNXP39WINZUWV1VQR/Producer_s+photo+Marija+Stojnic%CC%81+%281%29.jpg</image:loc>
      <image:title>2021 Docu Rough Cut Boutique - Bottlemen - Producer’s biography: Marija Stojnić / IMDb</image:title>
      <image:caption>MARIJA is an award-winning director and producer and The New School (MA Media Studies and Film, 2014) in New York, and Academy of Arts (FTV directing, 2010) in Belgrade alumna. SPEAK SO I CAN SEE YOU - her feature length directorial debut, supported by Eurimages and DOHA Film Institute, had its World premiere in First Appearance Competition selection at IDFA 2019, and its US premiere at MoMA's DocFortnight 2020 in New York. She is a guest lecturer and a member of DokSerbia. Since September 2019, she's been a part of the collective behind SET SAIL FILMS.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/874c757d-edb5-4b16-8fbf-e9a974aba883/sarajevoff-2021+-+Cent_anni+-+Graphic+materials+%5B1380341%5D.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2448dc0c0627144d4412a6/1627674953965-5J2BV8K3BP8KJ0YIFLCS/maja-doroteja-prelog.jpg</image:loc>
      <image:title>2021 Docu Rough Cut Boutique - Cent’anni - Director’s biography: Maja Doroteja Prelog / IMDb</image:title>
      <image:caption>MAJA DOROTEJA PRELOG (1988) is Ljubljana based film directress. Her short film WILD EAST (2012) was awarded at the Festival of Slovenian Film for best student short. Since then, she has been a member of the art group RÁ., where she directed music videos for a world-renowned art music group Laibach. She wrote, directed, and produced her short experimental film 2045 (2016) which received an award for the best of FeKK SLO at the Ljubljana short film festival FeKK 2016. CENT’ANNI is her debut.</image:caption>
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      <image:title>2021 Docu Rough Cut Boutique - Cent’anni - Producer’s biography: Rok Biček / IMDb</image:title>
      <image:caption>ROK BIČEK (1985) is head of the Slovenian production company CVINGER FILM with a branch office in Austria. His feature directorial debut CLASS ENEMY won the Fedeora Award at the Venice Critics’ Week in 2013, while the 2017 documentary THE FAMILY won the Grand Prix at the Locarno Critics’ Week. He produced Sara Kern´s short GOOD LUCK ORLO (Venice 2016 premiere) and co-produced OLMO OMERZU’S WINTER FLIES (Best Director Karlovy Vary 2018) and Darko Stante’s CONSEQUENCES (TIFF 2018 premiere). ROK is now working on the film adaptation of the bestseller novel DARK MOTHER EARTH as his third film.</image:caption>
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    <lastmod>2021-08-09</lastmod>
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      <image:title>2021 Docu Rough Cut Boutique - Atonal Glow - Director/producer: Alexander Koridze</image:title>
      <image:caption>ALEXANDER KORIDZE participated twice in Berlinale Talent Campus, directed over 30 auteur and television films, participated in various international film festivals (Politically Incorrect Films Festival, Slovenia; Eberswald Film Festival, Germany; Jeonju International Film Festival, South Korea, and others). In 2016 he founded his own production company SPARK.</image:caption>
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      <image:title>CineLink Work in Progress - Citizen Saint</image:title>
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      <image:title>CineLink Work in Progress - A Cup of Coffe and New Shoes On</image:title>
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