I have always been intrigued by the spiritual dimension and the subtle mysteries accompanying daily life, the inexplicable situations, and the blurred line between scientific reasoning and mystical thought. My interest lies not in religious dogma or the conflicts between atheism, faith, and fanaticism but rather in understanding the mechanisms that lead individuals to different interpretations and relationships with the events they encounter, shaped by the patterns they have internalised. Living in the Balkan region, where traditions, superstitions, and myths have permeated the collective consciousness, I find it fascinating to observe people's behaviours and beliefs, ranging from seemingly mundane gestures like avoiding entering a house due to superstitions to the development of literature and the passage of legends to future generations, particularly in rural areas. In Moldova, people queue for days to touch the relics of a saint, while Transylvania is known for its stories about Dracula, and various myths explain natural phenomena. In certain villages, rituals are still performed to ward off creatures like ghouls (strigoi), and opinions on such matters are always divided. This controversy is intriguing to follow, as it sheds light on how a mystical dimension is either preserved or gradually diminished over time. If I were to summarise the essence of this project, I would refer to Albert Einstein's profound statement, which greatly resonates with my artistic and existential quest: There are two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle. Interestingly, a recent study titled Religion Among the Millennials reveals that 80% of Americans and 59% of Britons believe in miracles, irrespective of their religious affiliations.