Kateryna Gornostai

Antonivka

AURORA and DARKO are young and in love. They survived the war and are starting their life together. Yet, they don’t have enough money for their place, so they move into a room at the house of Aurora’s grandfather. Grandpa ANTON is blind and needs care. It’s easy to look after him - he eats mostly bread twice a day. Still, Aurora is afraid that he is going to pass away soon. Gradually, death becomes the central theme of their lives and sets the record straight.

SYNOPSIS

​​​​AURORA (25) and DARKO (27) are a young couple who dare to start living together after their first year of dating. She is a veterinarian and has been interning at a local animal clinic for six months. He does not have a job, plays guitar in a band, and tries to write his music. All the events take place in Ukraine. The Russian-Ukrainian war ended not so long ago with the victory of Ukraine. The young couple doesn't have enough money to rent their place, so they go out of town to live with Aurora's grandfather in his house. It is a small suburban village not far from Kyiv. The whole second floor of the house is empty, and the couple hopes to find freedom and peace in a new place. Grandfather ANTON (87 years old) has been blind for over 15 years and can distinguish only light and shadow. But all these years, he somehow managed to live on his own. His wife died quite a long time ago. During the war, his village was occupied by the Russians. He refused to go to the city and survived the occupation alone in the house, not without the help of his neighbour, BABA LYUBA. Everyone in the village calls her Ba-Lyuba. Aurora's mother, VARVARA, supported her father only remotely. The village was not severely damaged. Several houses were destroyed by the Russians when they were retreating. The process of reparation, rebuilding, and revitalisation is in full swing. Luckily, Anton's home is fine. Throughout the film, we observe a natural cycle in this village - from a joyful spring that blossoms into summer to sad autumn that turns into a snowy winter. Time passes differently in places outside a big city. Aurora and Darko are happy about the new circumstances and grow closer. Rora (the short form of Aurora's name) was never close with her grandfather, but their relationship also seems to improve. The couple does not have many responsibilities towards the grandfather - only to cook him breakfast and something that he could reheat on his own for lunch. The only thing that worries Rora is her grandfather's old age, and she is afraid of his sudden death. Each night when Rora comes home, she silently checks if he is still breathing, not realising that death is not such an easy process. Sometimes she catches him reading the prayers. Gradually, death becomes the central theme of their lives and puts everything in its place.

DIRECTOR/WRITER
Kateryna Gornostai

PRODUCER
Vika Khomenko

PRODUCTION COMPANY
Moon Man LLC

COUNTRY
Ukraine

Kateryna Gornostai

KATERYNA GORNOSTAI is a director and screenwriter. In 2010, she received an education as a biologist. Later, she graduated from the Kyiv-Mohyla Academy (master’s degree in journalism). 2012-2013, she studied at the School of Documentary Films and Theatre of Marina Razbezhkina and Mikhail Ugarov. She made her debut as a documentary film director. Then she started working with fiction films and hybrid forms. In 2015, her short film AWAY (2015) won the National Competition at the Molodist International Film Festival. In 2021, her feature fiction debut STOP-ZEMLIA (2021) won the Crystal Bear for Best Film, awarded by the Youth Jury in Generation 14plus at Berlinale; three awards, including the Grand Prix of the OIFF ’21; five awards of the Kyiv Critics’ Week ’21. She is also involved in educational projects dedicated to documentary filmmaking and film editing. She lives and works in Kyiv.


I am 34 years old. In my entire life, I have attended the funerals of both my grandparents, my aunt who died of cancer, a colleague who died in a car accident, and a friend's husband who died in the war. Since childhood, I’ve been told you can't ignore only two invitations: to a wedding and a funeral. Since time immemorial, the death of our loved ones and our own has been a catalyst for personal change, the search for meaning, and the urgency of living. In Ukraine, the experience of war has made many people face it. In the first weeks of the war, people experienced an existential shock as death became not just a distant event but quite a clear and frightening possibility – anytime, anywhere. I observe how the fear of death has already transformed in me during Russia’s full-scale invasion of Ukraine because I have been living here all this time. As a scriptwriter and director, I wonder what this fear will be in the post-war period, how people will learn to live with the ghosts of war, and how they will be able to die in peace again. In 2019, my grandfather died. My ex-husband and I have been living with him for the last five years of his life. As the older man was fading away, our relationship was also falling apart. As the years passed, I decided to write an autobiographical script with the plot set in a future Ukraine that has already won the war, in a de-occupied village near a big city. The careers of the main characters, AURORA and DARKO, have changed in this story, as well as the reason for their separation. Aurora is a veterinarian who deals with life and death also at work. Darko is a composer who unexpectedly finds a new lease of life among new people around him. The story's climax is, obviously, the death and funeral of Grandpa ANTON. But this event, like the entire film, will be imbued with light and warmth. Although death is a topic that can be frightening, we are forced to face it in certain periods of our lives.


DIRECTOR’S STATEMENT

Vika Khomenko

Vika Khomenko started her producer career in 2016. Her short films, created with the director Kateryna Gornostai have been screened at Cottbus IFF, GoShort ISFF, and other festivals. Her producer's feature debut was the coming-of-age drama STOP-ZEMLIA (2021), directed by Kateryna Gornostai, awarded the Crystal Bear at Berlinale 2021. In 2019, together with the producer Darya Bassel, launched Moon Man company. Also, she has experience in cultural management. In 2015, she joined the IDHRFF Docudays UA team, where she works as a coordinator of the industry platform. She lives and works in Kyiv.


Production company profile

MOON MAN was founded in 2019 by multidisciplinary professionals (film production, cultural management & festival distribution). The company focuses on creative documentary and fiction films with a strong author’s approach. Its first title OUTSIDE (2022) by Olha Zhurba, has had its world premiere at CPH:DOX. The company co-produced the Academy Award-nominated documentary A HOUSE MADE OF SPLINTERS (2022) by Simon Lereng Wilmont.

Where are we at?

TOTAL ESTIMATED BUDGET
765.000 EUR

FINANCES PENDING
749.280 EUR

FINANCES IN PLACE
15.720 EUR

Production timeline

AUTUMN 2022 - AUTUMN 2023
Writing, Development

WINTER 2024 - WINTER 2025
Development, Fundraising, Pre-production

SPRING 2025 - WINTER 2026
Production & Post-production

2026
Premiere

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