Asimina Proedrou
BENEATH THE SURFACE
A young woman in Athens, an ex-special-forces operative in the Balkans, and a top executive in Colorado—all connected through the global metal mining industry—make personal decisions that unwittingly cause financial and geopolitical breakdown, forcing them to confront hidden truths within themselves.
SYNOPSIS
A Cold Open: Twenty miners die in an explosion at a Greek mine in Thrace, right on the border with Turkey and Bulgaria. The Greek government buries the truth, along with anyone who dares to expose it. Meanwhile, across the world, the New York Stock Exchange teeters on the brink of collapse, a geopolitical standoff erupts in the Balkans, and Europe stands on the edge of war.
One year ago: Twenty-eight-year-old Anastasia, a young, idealistic Greek woman, has a junior role in the financial department at the Athens headquarters of the powerful Greek mining company Voreas, which operates a mine in Thrace. Its parent company is Green Minerals, a massive US-based outfit that has a global network of mining operations. Anastasia aspires to change the world. She desperately wants to make an impact but doesn’t yet know how. Her life takes a dramatic turn when she meets forty-year-old Irene, the charismatic leader of a left-wing opposition group. Irene uncovers Voreas’s dirty dealings and its clandestine collusion with high-ranking Greek government officials and asks Anastasia to spy on the company and gather inside information. Anastasia hesitates at first but, as the evidence mounts, her resistance crumbles. Risking everything, she agrees to join the cause. As she starts her covert investigation, she meets and falls for thirty-five-year-old Thanos, an ethically incorruptible mining engineer in Thrace. They grow closer and their passion ignites. Then, Thanos confides a haunting secret: a dangerous environmental leak is threatening the region. Shocked and moved, Anastasia secretly passes the information to Irene. Massive protests erupt across Athens, rallying against Voreas and the right-wing government. With Thanos’s help, Anastasia digs deeper—only to discover that corporate corruption is just the tip of the iceberg.
Anastasia soon crosses paths with fifty-year-old Anestis, who hails from a small mining village in Thrace and officially works as the chauffeur for Voreas’s executives. Behind that facade, however, his role is to handle the company’s dirty dealings. He leverages his influence among the local Muslim mine workers, manipulating, bribing, threatening, and silencing them on behalf of the company. However, Anestis has a further secret mission, driven by a deeply personal motive: revenge. Haunted by his past as an operative of the Greek Navy’s Special Forces, he bears the trauma of a failed mission in the Aegean, during which his close friend drowned after “delayed” orders in which both the Greek military and NATO were directly involved. Consumed with anger and a burning desire for vengeance, Anestis infiltrates Turkish intelligence, starting a dangerous, dual existence. He visits Istanbul, adopting the persona of a drag queen—the perfect cover for executing covert assassinations and “clean-up” missions for secret agents, powerful corporations, and oil giants, in a sensitive geopolitical area that could easily trigger military tensions. Anestis and Anastasia form a deep, though unspoken, bond. As Anastasia searches for the truth, she begins to consult Anestis about her next steps. Unbeknownst to her, Anestis will protect her from the greatest dangers, though he will never reveal his true identity.
Across the Atlantic, fifty-year-old Seth is a top executive at Green Minerals in Denver. Green Minerals oversees vast “green” mining operations worldwide to fuel the demand for so-called sustainable technologies—often at a steep ethical and environmental cost. Seth is tasked with keeping Voreas in line from afar, ostensibly protecting the mine from Greek corruption and protests. Beneath the surface, however, Seth is a key player in the Billionaires’ Club—a powerful network of shareholders and executives who manipulate financial data to inflate stock prices, indifferent to the long-term consequences this may inflict. Determined to keep the lie alive and protect the company’s stock, Seth overlooks his greatest vulnerability—his own son, Alex. A twelve-year-old who is obsessed with strategy games, Alex becomes immersed in a VR gaming network linked to the dark web. Anastasia and Thanos spot him online and subtly manipulate him, trying to extract crucial information. Alex is unaware of any significant details but unwittingly mentions a company name tied to the Cayman Islands—the key that unravels Green Minerals’ financial lies. The truth is staggering. Voreas’s mine is a front: It contains no exploitable ore and is merely a tool to manipulate the stock market, involving high-level US and Greek politicians with even deeper truths at play.
In a tragic turn, a mine accident kills twenty Turkish-speaking miners, leaving Thanos critically injured and in a coma. The Greek government covers up the deaths, escalating tensions with Türkiye. Meanwhile, the Green Minerals fraud is exposed in the United States, triggering a far-reaching investigation and a global financial collapse starting with the New York Stock Exchange. Military tensions escalate in the Balkans, and the world is thrown into chaos. In Athens, several Voreas executives mysteriously vanish after they speak out. Anastasia, now terrified for her life, isolates herself.
Will the truth ever come out, or will the cover-up drag the world further into darkness?
CREATOR
Asimina Proedrou
PRODUCER
Dionyssis Samiotis
PRODUCTION COMPANY
Tanweer Productions
COUNTRY
Greece
FORMAT
8 X 60’, returning
GENRE
Political thriller
Asimina Proedrou
Asimina Proedrou is a writer-director based in Greece. She has written and directed two short films that have received multiple awards. Her debut feature-length film, BEHIND THE HAYSTACKS (2022), was Greece’s entry for the Academy Awards and was among the forty films nominated for the European Film Award for Best Film. It won ten Iris Awards at the Hellenic Academy Awards, including Best Picture, Best Director, and Best Screenwriter, and set a record with seventeen nominations. Critically acclaimed, it also won six awards at the Thessaloniki International Film Festival, the Best Debut Feature Award at the Goa International Film Festival, and was selected for major festivals including the Palm Springs International Film Festival. It saw significant success in Greece, with theatrical release for over thirty weeks and hundreds of thousands of VOD streams, and it was distributed in more than twenty countries. Proedrou is currently developing the feature films DANCE OF THE GOBLINS and HYSTERA, the latter of which has won several development awards at co-production markets including CineLink in Sarajevo. She is also working on BENEATH THE SURFACE, her first international television series, which was selected for the Series Mania Writers Campus in Lille in 2025.
CREATOR’S STATEMENT
BENEATH THE SURFACE is an original 8x60’ returning political thriller series set in the world of the international mining industry. It explores themes of corruption and collusion, revealing the clandestine connections between the extraction of mineral resources, financial trading, and global geopolitics. The series takes the audience on a fictional journey, showing how these forces spiral out of control beneath the surface, pushing the world to the brink of financial, military, and political collapse, as depicted in the flash-forward of the pilot’s cold open. Before transitioning to filmmaking, I spent over ten years working in the finance department of a North American mining company, where I gained firsthand experience with the global connections within the industry. Ore mined in one part of the world (e.g., Africa) is sold to traders in another (e.g., Switzerland) and then resold to refineries in yet another (e.g., China). I was struck by how a single decision in one corner of the world can send ripples across regions, impacting financial corporations, governments, and sensitive geopolitical areas. This experience became the seed for the series.
BENEATH THE SURFACE unfolds through three central characters, each based in a different corner of the world. Each lives and acts within their own bubble, unaware of the larger implications of their choices. This series attempts to dig deep into human behavior while exploring the ways our international political, industrial, and financial worlds are connected and, at the same time, permeated by deception: How are we so deeply connected although we seemingly live and act in our own bubbles? How do our personal decisions function at the expense of the larger common good while having the butterfly effect far away? And how is it possible for us not to be aware of the consequences of our personal choices? The strength of BENEATH THE SURFACE lies in its timely relevance, layered storytelling, and its thematic exploration of complex global issues. The first season is set in Greece, Turkey, the broader Balkan region, and North America, with the potential for the story to expand to Europe, Latin America, Africa, and Asia, covering the full spectrum of the global metals market.
The target audience includes political thriller enthusiasts, viewers drawn to morally complex stories and characters, and those interested in global political, economic, and environmental issues. In the vein of TRAFFIK (1989), NARCOS (2015+), and BLACK EARTH RISING (2018), BENEATH THE SURFACE exposes the tangled world of the global mining industry and its far-reaching consequences, which are often hidden from public view. Delving into themes of unchecked corporate greed, geopolitical maneuvering, and the exploitation of natural resources, it combines high-stakes intrigue with a fast-paced, dynamic narrative, while pulling back the curtain on a world where wealth and influence collide—and no one walks away unscathed.
Dionyssis Samiotis
Dionyssis Samiotis is the producer of more than thirty feature films, including Greece's highest-grossing box-office hit, A TOUCH OF SPICE (2003). More recently, MY NAME IS EFTIHIA (2019), SMYRNA (2021), and MURDERESS (2023) all reached the top of the domestic box office in their year of release. Internationally, Samiotis has been an associate producer on Costa Gavras's EDEN IS WEST and a co-producer on a number of international co-productions, among them Peter Andrikides’s THE KINGS OF MYKONOS, Ellie Chouraqui’s O, JERUSALEM, and Jeremy Podeswa’s FUGITIVE PIECES. In 2012, he joined the Tanweer Group, developing its business of content sales and distribution in Cyprus, Greece, India, Türkiye, Eastern Europe, and the Middle East as member of the board and Vice President of Sales, Acquisitions, and Business Development. Heading Tanweer Productions, he is currently producing feature films and HETV series, including multiple HETV miniseries for the premium pay-TV platform COSMOTE TV, and the international co-production SO LONG, MARIANNE, based on the life of Leonard Cohen. His latest release with Tanweer Productions is Yorgos Tsemberopoulos’s STELIOS, which broke the record sales of the last ten years for a domestic release, entered the top five of Greece's highest-grossing films, and has sold to multiple territories, including Australia, Germany, Israel, the United Kingdom, and the United States. Tanweer is now working on the upcoming release of Sherif Francis’s THE LAST CALL and Alexandros Voulgaris’s SWELL.
PRODUCER’S STATEMENT
BENEATH THE SURFACE is a sharp, timely political thriller created by Asimina Proedrou. The series explores the global green metals industry—what powers it, who profits from it, and the human cost beneath the surface. It’s about the collision of finance, politics, and natural resources, and how personal choices ripple across borders. Set across Greece, Türkiye, the Balkans, and North America, it is a complex, character-driven story built around real-world issues—corruption, environmental exploitation, and global power dynamics—that reflects the times, and the world, we are living in.
At its core, this is a European co-production with a strong Balkan partner, and we are actively seeking international collaborators, including German and UK/US/Canada-based co-producers, to match the scope of the story. The goal is to position the series for pre-sales and international broadcasters from the outset. From a production standpoint, we're currently focused on research—partnering with experts in the mining, political, and financial sectors to refine the relevant aspects of the storyline and ensure they are focused on realism through their complex, deep, and repercussive nature. From there, we’ll build out the series arc further, start casting discussions, and move into packaging with budget and financing in place.
We’ll shoot in Greece, scout Balkan tunnel/studio options, and plan to shoot US segments in Germany, Canada, or relevant territories depending on partner involvement. This is a grounded, globally relevant series with scale—and we’re building it for longevity.
This story is intelligent and tense and speaks directly to a global audience that’s hungry for thrillers with substance. Asimina has proved through her feature debut, BEHIND THE HAYSTACKS, that she can undertake the scope of a geographical story with intimacy and deliver a natural, character-driven drama. Now, we look forward to bringing the right team on board to bring this story to life.
Production company profile
Tanweer Productions was founded in 2018 by its president, Joseph Samaan, and it is one of the newest ventures of Tanweer Group. Tanweer Productions utilizes the experience from its distributing division and its CEO, Dionyssis Samiotis, who has produced more than 30 films, to focus entirely on producing quality cinema, television, and digital content to service the Greek and international marketplaces. Based in Athens, Tanweer is a leading player in production in Greece and has earned widespread acclaim. Tanweer’s first film, Angelos Frantzis’s MY NAME IS EFTIHIA (2019), one of the greatest box-office successes of all time, won eight Iris Awards, including Best Film, from the Hellenic Film Academy. The company’s second feature film, Gregory Karantinakis’s SMYRNA (2021), is one of the highest-budget productions ever made in Greece.
After its release, the film received five Iris Awards and an audience award at the Los Angeles Greek Film Festival and was released in selected theaters in Canada, the United Kingdom, and the United States. Tanweer has completed three high-end miniseries for COSMOTE TV, Greece’s largest premium pay-TV digital subscription platform, as well as many more fiction series for state and private television. The company entered the international co-production universe with the series SO LONG, MARIANNE, about Leonard Cohen and Marianne Ihlen, directed by Oyster Karlsen and Bronwen Hughes. Tanweer co-produces the series alongside Redpoint Productions in Norway, Connect 3 Media in Canada, and Buccaneer Media in the United Kingdom for NRK (Norway), Cineflix Rights (Canada), ITV (UK), and COSMOTE TV.
Recent film releases include Eva Nathena’s THE MURDERESS (2023), based on the landmark Greek novel by Alexandros Papadiamantis. The film premiered in all Greek cinemas, reaching record-breaking numbers at the domestic box office. Ahead of its theatrical premiere, the film won several awards at the Thessaloniki International Film Festival, including the FIPRESCI Prize, and was the official Greek submission for the Academy Award for Best International Film. Tanweer’s latest release, Yorgos Tsemberopoulos’s STELIOS, a tribute to the legendary Greek singer Stelios Kazantzidis starring Christos Mastoras, broke the box-office record of the last ten years for a domestic release, entered the top five of Greece's highest-grossing films, and has sold to multiple territories, including Australia, Germany, Israel, the United Kingdom, and the United States. Tanweer is now in post-production with the series RIFIFI for COSMOTE TV, the Greek miniseries GHOSTS for Star TV, based on the BBC miniseries format, and Sherif Francis’s real-time action thriller "The Last Call"”
Where are we at?
ESTIMATED PRODUCTION BUDGET FOR THE FIRST SEASON
6.500.000 €
FINANCING IN PLACE
2.300.000 €
Production timeline
2025
Assemble creative team
Script development and editing
Sustainability training and green strategy
Location scouting (Greece)
Finalize script drafts & casting profiles
Apply for MEDIA funding & confirm broadcasters
2026
Attach director and key crew
Finalize scripts with co-producers
Start sustainable pre-production (hiring, planning)
Finalize casting and logistics
Begin rehearsals and technical tests, and submit for We Are Albert certification
Prepare eco-sets and complete pre-production
2027
Final rehearsals and lock production plans
March: Start principal photography
Fall: Deliver episodes for release