David Kapac
POGANA
On a faraway Dalmatian island in the 1920s, Pogana, a woman from the inlands, is sold to be the new wife of a widower sailor with five children. When the sailor is lost at sea, Pogana is left at the mercy of the cruel villagers and their customs.
SYNOPSIS
In the 1920s, Pogana (the name means “pagan” or “heathen”) is sold by her father to a silent and cruel sailor, who takes her to his island to care for his children and estate. Trapped amid hard work, raising children, the coldness of the sailor and the cruelty of the locals and their customs, Pogana has a hard time adjusting. After a tragic accident caused by the local doctor ends in the death of the youngest child, the sailor disappears at sea. From that moment on, the village considers the sailor dead, but Pogana does not agree. She tackles the childishness, gossip, and intolerance of the small environment. Pogana did not even get to marry the sailor, so the locals consider her an intruder, unwanted and a parasite. She must learn to fish so she can feed the children. As she goes to the shore every day to throw a net and wait to see if the sailor will return, she meets the keeper of the nearby lighthouse—a bitter war veteran who feels a magnetic, animalistic attraction towards the young widow, which is reciprocated. Rejected and lonely, the two find passion, comfort, and understanding in each other. While fishing, Pogana comes across a human bone in her net. Day after day, more bones begin to appear mysteriously when she hauls her net from the sea. She saves them all, believing the sea is returning the bones of her missing husband. Pogana refers to the old custom—the black wedding. She will marry her husband's bones to confirm her position. The locals are horrified, but Pogana succeeds in her plan—she buries the bones in the family grave and marries them on the spot. Finally, when she thinks she is independent, free, and master of her life, in good relations with her daughters and after she has taken control of the household, her husband, the sailor, appears. She has no choice but to dig up the bones and return to their old life. The sailor is having a hard time coming to terms with the new state of affairs, however. Realising Pogana and his children don't actually need him, he feels threatened, insecure, lost. Finally, he decides to send Pogana back to where he took her from. He loads her into the boat and returns her to the sea.
DIRECTOR
David Kapac
PRODUCER
Rea Rajčić, Tina Tišljar
PRODUCTION COMPANY
Eclectica
CO-PRODUCTION COMPANIES
Vertigo, Sense Production, Albolina
COUNTRIES
Croatia, Slovenia, Serbia, Italy
David Kapac
David Kapac is a Croatian screenwriter, director, and creative producer. He started his career with student short films, which were regularly screened at festivals in Croatia and abroad, including his graduation film, the medium-length horror film ZAGORJE SPECIALTY, which was co-produced with the national broadcaster HRT and had its premiere at the Pula Film Festival in 2011. After graduating, David focused on work in television, achieving seven-figure viewership in Croatia and the region for the shows he ran either as director or creative producer. In 2017, he returned to film, co-writing the screenplay for the short film PARTY, which represented Croatia in 2018 as part of Drama for Children project of the European Broadcasting Union. THE UNCLE, his directorial debut, premiered in the Karlovy Vary International Film Festival in 2022. Kapac is currently developing several projects, including his next feature, POGANA, with Andrija Mardešić.
POGANA talks about what it is like to be a stranger, a newcomer, in a harsh and cruel time. It is a film about a woman, a time, passion, Eros and Thanatos, heathen magic, the customs of the past. POGANA combines a realistic and harsh historical drama with the motives of poetic, even magic realism. Moments of an elevated drama, as if stemming from a Greek tragedy or an opera, are intertwined and mixed with everyday, small human stories. This is a film of strong atmosphere and few words—in the past, people did not talk a lot. The structure of the film is fragmented, mosaic-like, sometimes without clear causality tying the sequences together. The winds that blow and turn as they please divide the film into individual thematic units, tied to the (emotional) states of the heroine—Pogana. We see all of the plot from her perspective, and the world around her is shown only through her eyes.
DIRECTOR’S STATEMENT
Tina Tišljar
Tina Tišljar was born in 1988 and completed a master’s degree in film production at the Academy of Dramatic Arts in Zagreb. During her studies, she worked on a number of student projects. Some of the more successful student films she produced are three shorts by Hana Jušić : CHILL, which was selected for the International Short Film Festival Oberhausen; TERRARIUM, which was named Best Film at the London Film Festival; and NO WOLF HAS A HOUSE, which was presented at the International Film Festival Rotterdam. From 2009 to 2015, Tisljar worked for several film festivals, among the Animafest Zagreb, the Zagreb Film Festival, and Zagrebdox. In 2014, she worked as a production coordinator on Antonio Nuić’s feature-length film LIFE IS A TRUMPET and as the distribution coordinator on Nevio Marasović feature film VIS-À-VIS. From 2014 to 2018, she worked in the promotion department of the Croatian Audiovisual Centre, presenting Croatian films at markets at the Festival de Cannes, the Berlin International Film Festival, the Clermont-Ferrand International Short Film Festival, among others. She participated in Talents Sarajevo, in the European Short Pitch in 2020/2021 with the short film LOOSE and in Euroconnection 2020 with the project 1001 NIGHTS. She sat of the selection jury for Euroconnection 2021, as well as the preselection committee of the European Short Pitch from 2021 to 2023. From 2019 until 2021, she was a board member of the Croatian Producers Association. In 2021, she participated in the When East Meets West Inspirational Lab on online distribution. Since 2018, she has worked as a producer on film and television projects with the production company Eclectica in Zagreb. In 2024, she became a shareholding partner in the company. In 2024, CELEBRATION, her first feature-length film as a producer, was released after premiering in the Crystal Globe competition at the Karlovy Vary International Film Festival.
Rea Rajčić
Rea Rajčić was born in Split, Croatia, in 1989 and received her master's degree in film production from the Academy of Dramatic Arts in Zagreb. She worked as marketing manager for the 2i Film distribution company and as the head of the Cinema Exhibition Department project of Croatian Audiovisual Centre. She is currently working on new multimedia, film, and television projects at her production company Eclectica as a producer and author, and as a professor in the production department of the Academy of Dramatic Arts in Zagreb. Rajčić won the Young Producer Award at the Sofia International Film Festival in 2016, and won the prize for the best pitching at European Short Pitch in 2018, Connecting Cottbus in 2020, and CineMart in 2022. In 2020, she participated in the Emerging Producers programme, the Rotterdam Lab, and in the SFC New Producers Room at the Festival de Cannes.
PRODUCER’S STATEMENT
POGANA redefines the historical drama by blending realistic depictions of life on a remote Dalmatian island in the 1920s with elements of magical realism. The story is centred around a woman sold into a harsh life on an island. Her journey, often marked by struggle and resilience, reflects a complex, often frustrating relationship between a woman and the society around her—an environment that can prove more toxic than patriarchy itself. This resonates with current discussions about gender roles and systemic challenges, making the film’s historical context very much relevant to today’s world. By blending historical analysis with contemporary relevance, we are not just revisiting the past but challenging the viewer to draw parallels with modern society. This interesting approach, coupled with the use of black-and-white cinematography, creates a compelling atmosphere that we believe will resonate with contemporary audiences seeking emotionally complex and visually distinctive films.
Production company profile
Eclectica is a film & television production and post-production company based in Zagreb. Eclectica produces film, television, and commercial projects. Eclectica mostly supports challenging debut films from upcoming talents, mainly fiction, both as a majority and a minority producer. Eclectica's first feature THE UNCLE, by A. Mardešić and D. Kapac, had its premiere in the Proxima Competition at the Karlovy Vary International Film Festival in 2022.
Where are we at?
TOTAL ESTIMATED BUDGET
1.933.842 €
FINANCES PENDING
670.000 €
FINANCING IN PLACE
1.263.842 €
Production timeline
SEPTEMBER 2024 – MARCH 2026
Financing outside of Croatia
MARCH 2026 - NOVEMBER 2026
Pre-production
NOVEMBER 2026 - DECEMBER 2026
Shooting
JANUARY 2027 - JULY 2027
Post-production
JULY 2027
Film finished